|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
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zotero2-5705476.WLCI9BP6 | On the edge of: Goldrausch 2023 | 2023 | ||
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zotero2-5705476.NPNE4KXH | The Power to Name and Frame | 2025 | ||
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zotero2-5705476.47PAM8TU | Noun to verb: Propositions for transformative intersectional publishing | 2024 | ||
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zotero2-5705476.Z7XRTWBS | Help! David Cameron likes my art | 2018 | ||
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zotero2-5705476.CS5272XC | Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access | |||
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zotero2-5705476.9ZCCIWHK | An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it | 2024-11 | ||
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zotero2-5705476.MFGEKMAV | Library Underground – A reading list for a coming community | 2016 | ||
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zotero2-5705476.362HH54M | Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» | 2021 | ||
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zotero2-5705476.ISD4ELZC | All events | les Abattoirs | 2016-11-09 16:25:26 | ||
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zotero2-5705476.4SQ6NCN3 | Sirene: Goldrausch 2020 | 2020 | ||
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zotero2-5705476.WLJD534J | Mutual matters: Goldrausch 2021 | 2021 | ||
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zotero2-5705476.3SZHLBFW | Tender hooks: Goldrausch 2022 | 2022 | ||
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zotero2-5705476.B4V6KXTM | I like chaos, but I don’t know whether chaos likes me: Texte aus „Frauen und Film“ | 2021 | ||
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zotero2-5705476.DW8R7VH4 | Vaal: my father has a cement mixing truck | 2018 | ||
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zotero2-5705476.8F97JK6W | My name is language | 2020 | ||
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zotero2-5705476.VF4RPM43 | Birds | 2019 | ||
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zotero2-5705476.UZPMP22V | Wiedersehen in Tunix!: ein Handbuch zur Berliner Projektekultur | 2018 | ||
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zotero2-5705476.BL5NVABF | Hydra: [Goldrausch 2019] | 2019 | ||
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zotero2-5705476.N7649RG7 | Megazin 5: Soziale Eleganz | 2023 | ||
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zotero2-5705476.A2SC2E8F | Megazin 7: Freckly Night | 2023 | ||
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zotero2-5705476.7ZCV7ECS | Practices of transformative publishing | 2024-11 | ||
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zotero2-5705476.Q8ZPDUW7 | Megazin 3: Zur radikalen Gleichwertigkeit von Erfahrungen | 2023 | ||
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zotero2-5705476.Z77HKVWW | Megazin 4: Flüchtige Tat | 2023 | ||
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zotero2-5705476.45UIEBMC | One publishes to find comrades | 2021 | ||
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zotero2-5705476.V9QSKTRT | Who gets in? Rethinking Admission – Confronting Segregation | 2022 | ||
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zotero2-5705476.2M4JAIB2 | Setting Collectively Conditions for Sharing, Reuse, Access | 2025 | ||
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zotero2-5705476.BEETINK7 | Let's Mobilize: What is Feminist Pedagogy – Workbook | 2016 | ||
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zotero2-5705476.E6KPKB8S | First times do not exist. Translating and citing as relational practices of (re)use | 2023-10 | ||
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zotero2-5705476.FXJQUM9Z | Library of Inclusions and Omissions | 2016 | ||
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zotero2-5705476.ZCFJA5E6 | Noun to Verb: micro-politics of publishing | 2019 | ||
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zotero2-5705476.I48WAXPV | Noun to Verb: Publication as Process | |||
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zotero2-5705476.PLI46JSL | Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) | 2020 | ||
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zotero2-5705476.RQZSY3T7 | Library Making as Practice | 2025 | ||
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zotero2-5705476.C4DFB7LW | Conversation with Séverine Dussollier: Subverting the narrative of property | 2025 | ||
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zotero2-5705476.MKTJP4XP | Ecologies of dissemination | 2025 | ||
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zotero2-5705476.Y9PHNVXC | Critical FAIRness |