|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
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bangbang-1048 | The wrong work at the wrong time for the wrong place, 1991 | 1991 |
Ausstellung "8 X 2 AUS 7"
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zotero2-1510019.X2XJ2DUX | inputout series | 2009 | ||
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bangbang-1493 | Das parasitäre Prinzip. Ein Schnipselvortrag | 2005 |
Petrini, Daniela [data | Auftrag für parasitäre* Gastarbeit]; Trampe, Tanja [data | Auftrag für parasitäre* Gastarbeit]
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PARASITuatION
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bangbang-0400 | ROHSTOFF-Eine Verarbeitung | 2014 |
Andereggen, Ariane; Gaier, Ted
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It's the real thing Basler Dokumentartage 2015
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bangbang-1046 | dein preis ist mein preis, 1990 | 1990 |
Performance topic: a new art center for the city of Biel-Bienne
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zotero2-1510019.SC8PTCTH | nodes | 2004 | ||
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forms2-2021.10065831 | Radical Mobility. Fahrzeugkonzept für die schwedische Marke CAKE | 2021 | ||
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zotero2-1510019.ZKTDMKZP | ADVA (accessible digital visual agency) EN | 2025 | ||
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bangbang-1054 | kredit. bezhalt sein um nichts zu tun, 2007 | 2007 |
Ausstellung "Close Enough. Walking Conference"
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forms2-2018.969318 | Startrampe. Raum für die aufstrebende Musik- und Kreativszene in Basel | 2018 | ||
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zotero2-1510019.AAE4KWS9 | transMission | 2004 | ||
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bangbang-1456 | Good Morning, Lugano | 2012 |
Fieni, Matteo
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forms2-2022.10097989 | Mani Matter im heutigen Kontext | 2022 | ||
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bangbang-0297 | Mazy Motion | 2019 |
Russi, Lara; Dober, Ida
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zotero2-2317722.5EFGCMGA | Martha Wilson and Franklin Furnace Archive | 01.11.2018 | ||
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zotero2-1510019.B295NRI5 | Diary of a Nonrealization | 2023 | ||
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zotero2-1510019.XBA5TLFG | Ritotop | 2018 | ||
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zotero2-1510019.5XU4TD5G | REFRAME | 2011 | ||
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zotero2-1510019.CABR5NPB | GenerativeSysteme | 2008 | ||
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forms2-2021.10145330 | 4 Läufer + Untitled | 2021 | ||
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zotero2-1510019.3ADTZQVX | flowmotion | 2011 | ||
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bangbang-0636 | ohne Titel | 2022 |
Baer, Monika; Ranzenhofer, Christoph [Porte Rouge]; Iselin, Joa [Porte Rouge]
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forms2-2021.10107548 | Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? | 2021 | ||
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bangbang-1058 | myFunerals #1-3 | 2013 |
Luedi, Juerg
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Masterclass 2013
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zotero2-2317722.9INNT87N | Mind the GAP – Berner Selfies | 03.11.2018 |
Nieslony, Boris
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