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The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614)
(2023)

https://www.forschung.schola-cantorum-basiliensis.ch/de/publikationen.html?view=detail&pubId=98bd874d-4cfb-41ee-835b-4d4ec795a0c2&type=ao-publications&title
Madeuf, Jean-François (Director)
Conforzi, Igino (Director)
Zimmermann, Julian (Director)
Tarr, Philipp (Director)
Tags
Bendinelli Tutta l’arte della trombetta improvisation in ensemble music natural trumpet performance practice renaissance trumpet timpani wind instruments hsm-datenbanken open access publikationen schola cantorum basiliensis
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  2. Schola Cantorum Basiliensis
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In this video, Jean-François Madeuf, Igino Conforzi, Julian Zimmermann and Philipp Tarr explain the performance practice of natural trumpet ensembles during the late Renaissance and the Baroque era, which relied mainly on oral transmission and on improvisation. Today, this performance practice can by partly reconstructed based on a small number of sources like the Bendinelli’s collection.
Quelle

Forschungsportal Schola Cantorum Basiliensis

Credits

Performers: Jean-François Madeuf, Igino Conforzi, Julian Zimmermann and Philipp Tarr

Recorded in Basel, Predigerkirche, 8 April 2022

Production: Henry Moderlak (audio), Philippe Jost and Chandra Rolf Mäder (video)

© 2023 FHNW / Schola Cantorum Basiliensis / Hochschule für Musik Basel

place: Basel



Extra
DateModified:  2026-06-16T13:48:42Z
SeriesTitle:  Trompeten Ensemble Improvisation
DateAdded:  2026-03-25T12:05:58Z
DOI:  https://doi.org/10.26254/1w-f5pc-r4fk
Rights:  © 2023 FHNW / Schola Cantorum Basiliensis / Hochschule für Musik Basel
Key:  S8I27QJW