| signature | titel | year | Artista | event | |
|---|---|---|---|---|---|
|
|
zotero2-2641719.QGKPTVDK | Stories for industrial design: A close reading of a corded portable electric drill | 2021 | ||
|
|
zotero2-2641719.WNDKFK95 | Design Debates, Reader Voices, and the Histories within Design Blogs | 2021 | ||
|
|
zotero2-5884472.BXI723UH | Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) | 2021 | ||
|
|
bangbang-1829 | Der Pilz im Patent - Verstimmung, Klinik, LSD | 2022 |
Köppl, Jörg [ensemble metanoia]; Zulauf, Tim [ensemble metanoia]; Collin, Léon [ensemble metanoia]
|
-
|
|
|
zotero2-5884472.TQ7E8R52 | Ganassi – Arbeitstagebuch | 2014 | ||
|
|
zotero2-5884472.RUKQIDSE | Bau einer Gambe nach Ganassi | 2014 | ||
|
|
zotero2-5884472.HBU6AFZD | Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente | 2013 | ||
|
|
zotero2-5884472.F277BBJD | The Iconography of the Viola da gamba in Ganassi's Context | 2013 | ||
|
zotero2-1510019.ZKTDMKZP | ADVA (accessible digital visual agency) EN | 2025 | ||
|
|
zotero2-2641719.Z45VQJQI | Points of Inversion: Upending Structural Narratives in Design History | 2021 | ||
|
|
zotero2-5884472.NVJN3ESW | Zur Ikonographie der Viola da gamba im Umfeld Ganassis | 2013 | ||
|
|
zotero2-2641719.WEB9CS7B | A missing narrative of Ghana’s graphic design history | 2021 | ||
|
|
zotero2-5884472.3S52ZJNV | Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) | 2022 | ||
|
|
zotero2-5884472.AJ6KCKPJ | Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi | 2013 | ||
|
bangbang-1461 | Barcode Scenario | From 2016 onwards |
Fieni, Matteo
|
|
|
|
zotero2-2641719.V37UXFJD | Notes from Amaranth Land | 2023 |
Mensch, Julia
|
|
|
zotero2-2641719.II8BUU4V | Detrás de la Noche [Behind the Night] | 2025 |
Castelblanco, Felipe
|
|
|
|
zotero2-2486551.E25ASSPI | But that's another story, Part II (Jeff Wall, Milk 1984) | 2010-04-11 |
Schauecker, Renée
|
|
|
|
zotero2-2641719.8ID7M428 | Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective | 2021 | ||
|
|
zotero2-5884472.KHUGFAU4 | Building a Ganassi Viol | 2014 | ||
|
|
zotero2-5884472.BW7PZNHF | Rybeben am Hof Maximilians I. | 2015 | ||
|
|
zotero2-2641719.S22NADJA | Re-engaging with Design History through the Practical Turn | 2021 | ||
|
|
zotero2-5884472.QUQJ6A6V | Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) | 2015 | ||
|
|
zotero2-5884472.UGA5K4UB | Reconstructing the “fifres” of the Grande Écurie | 2009 | ||
|
|
bangbang-0421 | Performing Negotiations: Protocol | 2019-2020 |
Nilo, Dawn
|
|