| signature | titel | year | Artista | event | |
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zotero2-1510019.QIQVWRFQ | Oldies with goodies? New perspective of elder care in China and Switzerland | 2014 | ||
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bangbang-0184 | game of level | 2019 |
Schmalz, René; Gombas, Gabriella
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zotero2-2641719.RBV9AD5P | Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul | 2021 | ||
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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bangbang-0198 | Gramatik der Räume | 2021 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine; Loosli, Ruth; Vogel, Fritz Franz; Bourquin, Irene; Grüter, Peter; Muhl, Joshua; Ashinze, Eva; Garcia, Miguel
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bangbang-1314 | Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. | 2021 |
Wicht, Philippe
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zotero2-2641719.6STGHPZC | Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth | 2025 | ||
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zotero2-1510019.5R7TGDRT | Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. | 2024 | ||
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forms2-2021.10069694 | In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled | 2021 | ||
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forms2-2019.973321 | "We are all failures-at least the best of us are." J. M. Barrie | 2019 | ||
| zotero2-5884472.R6N5JI95 | 4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections | 1993 | |||
| zotero2-5884472.8VD4WT8G | Problems of authenticity in sixteenth-century Italian viols and the Brussels collection | 2002 | |||
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zotero2-2641719.77RR2GKI | "America’s revenge” and plant intelligence, Review of the festival and exhibition in Riga | 2025-12-16 | ||
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zotero2-2641719.M6VMXCAH | Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva | Sept 2, 2021 |
Midal, Alexandra
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bangbang-0413 | Wortkörper | 2005 |
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 | ||
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forms2-2018.909187 | The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm | 2018 | ||
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bangbang-0457 | Sinnflut | 2011 |
Hausheer, Angela [Kollabor]; Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]; Maag, Irene [Kollabor]; Rohner, Isabel [Kollabor]
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| forms2-2020.10079096 | How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction | 2020 | |||
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bangbang-0804 | Strategies of Seed | 2018 |
Edens, Saskia
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residency Artic Action
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bangbang-0031 | Dream of Zanzibar | 1985 |
Hahn, Alexander
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1985 International Video Festival, Locarno
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bangbang-1806 | Echo of Leaf and Body - BadLab collective | 2021 |
Ayala, Paloma [BadLab]; Biedlingmaier, Lisa [BadLab]; Franchette, Anne-Laure [BadLab], Mattner, Corinna [BadLab]; Minder, Maya [BadLab]
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Open Source Body Festival
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bangbang-0272 | scents of kitchen | Bern 9.9.2012 / Frauenfeld 17.11.2003 |
Bottini, Max
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European Sensorik Meeting (Bern) / Thurgauische Kulturstiftung (Frauenfeld)
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| zotero2-5884472.55NPR5P9 | The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors | 1993 | |||
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zotero2-2641719.XSCADSKI | Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby | 2025 |