|   | signature | titel | year | Artista | event |
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bangbang-0185 | Zoologie der Träume | 2019 |
Schmalz, René; Gombas, Gabriella
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forms2-2022.10161452 | Food for Thought. A Visual Exploration of Food Culture in India and Europe | 2022 | ||
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forms2-2021.10031490 | The question of responsibility. A designer's approach to sustainable guitar making | 2021 | ||
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forms2-2021.10066724 | Stepping Out of the Frame. Repräsentation von Schwarzen Menschen im Film | 2021 | ||
| zotero2-2486551.D89NSSPM | Audiophobic waste of space & time: An unexplained journey into the present | 2016-04-23 |
Guldimann, Manuel; Benderscoot IV, William P. W.
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zotero2-2486551.XH6WVE4G | Audiophobic waste of space & time: An unexplained journey into the present | 2016-04-23 |
Guldimann, Manuel; Benderscoot IV, William P. W.
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bangbang-0391 | out of place | 2007 |
Stäuble, Andreas; Lauber, Wolfgang
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migma
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zotero2-2641719.HP7G9AEN | We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design | 2021 | ||
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zotero2-1510019.QIQVWRFQ | Oldies with goodies? New perspective of elder care in China and Switzerland | 2014 | ||
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bangbang-0184 | game of level | 2019 |
Schmalz, René; Gombas, Gabriella
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zotero2-2641719.RBV9AD5P | Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul | 2021 | ||
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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bangbang-0198 | Gramatik der Räume | 2021 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine; Loosli, Ruth; Vogel, Fritz Franz; Bourquin, Irene; Grüter, Peter; Muhl, Joshua; Ashinze, Eva; Garcia, Miguel
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bangbang-1314 | Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. | 2021 |
Wicht, Philippe
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zotero2-2641719.6STGHPZC | Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth | 2025 | ||
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zotero2-1510019.5R7TGDRT | Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. | 2024 | ||
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forms2-2021.10069694 | In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled | 2021 | ||
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forms2-2019.973321 | "We are all failures-at least the best of us are." J. M. Barrie | 2019 | ||
| zotero2-5884472.R6N5JI95 | 4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections | 1993 | |||
| zotero2-5884472.8VD4WT8G | Problems of authenticity in sixteenth-century Italian viols and the Brussels collection | 2002 | |||
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zotero2-2641719.77RR2GKI | "America’s revenge” and plant intelligence, Review of the festival and exhibition in Riga | 2025-12-16 | ||
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zotero2-2641719.M6VMXCAH | Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva | Sept 2, 2021 |
Midal, Alexandra
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bangbang-0413 | Wortkörper | 2005 |
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 | ||
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forms2-2018.909187 | The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm | 2018 |