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zotero2-1510019.6L9PY895 | Grenzpräsenz | 2017 | ||
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zotero2-2486551.NJGED46B | Program ACT Basel 2021 | 2021-04-10 | ||
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zotero2-2486551.V7KXF7ZF | Flyer ACT Luzern 2017 | 2017 | ||
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zotero2-2641719.8MPBW6ZN | Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education | 2021 | ||
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bangbang-0615 | ACT BASEL | 2021 |
ACT Basel
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ACT Basel
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zotero2-5884472.EZKBPRK4 | Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction | 2013 | ||
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bangbang-0401 | SIE BEFINDEN SICH HIER / Ende der Vorstellung | 2006, 2004 |
Andereggen, Ariane; Mathis, Markus; Hohstellter, Thomas U.; Ursin, Herwig; Heierli, Frank
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zotero2-2641719.SMHEXG8D | CC_Cycles of Circulation SUBPROJECTS | 2025 | ||
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zotero2-2641719.H2T8JEM5 | Aroma Colorado | 2025-08 | ||
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zotero2-2641719.QJFFG7XB | Designing the Future-Past: Ceramics and the forgetfulness of modernity | 2021 | ||
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zotero2-5705476.WLJD534J | Mutual matters: Goldrausch 2021 | 2021 | ||
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forms2-2022.10073196 | Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form | 2022 | ||
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zotero2-2641719.XHFUGJWD | Amaranth as Political Agent | 2025 | ||
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zotero2-2641719.CGB2R8PI | Colorado | 2025 |
Mensch, Julia
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bangbang-2099 | It's all about Love | 2009 |
De Pinto, Pier Giorgio
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zotero2-1510019.B295NRI5 | Diary of a Nonrealization | 2023 | ||
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zotero2-5884472.SNPJXZX3 | Trompettes marines - Sekundärquellen | |||
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zotero2-5884472.A8DBJQIN | Fifres - Sekundärliteratur | |||
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zotero2-1510019.U7JXUD2D | PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN | 2022 | ||
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zotero2-1510019.PWZN4QWI | PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN | 2022 | ||
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zotero2-2641719.WD3NAJS3 | Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" | 2021 | ||
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zotero2-5884472.UECJNVJV | Die "Tambours" - Sekundärliteratur | |||
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zotero2-2641719.WTRMANM7 | Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile | 2021 | ||
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zotero2-5884472.I97SRHT8 | Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) | 2021 | ||
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zotero2-5884472.A3I7VF8E | List of Ina Lohr’s Published Compositions (incomplete) | 2016 | ||
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zotero2-2641719.CW3AEQZP | ‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 | 2021 | ||
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zotero2-5884472.FPXE4HWC | Ina Lohr - Dutch Christmas recording | |||
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zotero2-5884472.56SVE2CP | Cromones Sekundärquellen | |||
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zotero2-2641719.QGKPTVDK | Stories for industrial design: A close reading of a corded portable electric drill | 2021 | ||
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zotero2-2641719.WNDKFK95 | Design Debates, Reader Voices, and the Histories within Design Blogs | 2021 | ||
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forms2-2018.830824 | Concept Art. Weltenbauen im Raumbild | 2018 | ||
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zotero2-1510019.QN9K7JVS | Erdungsräume | 2024 | ||
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zotero2-1510019.JHXM34DH | On Togetherness And Self-Alienation - Gefühle Von Zusammengehörigkeit In Zeiten der Isolation | |||
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motetcycle-0399 | C02 Beata progenies | |||
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forms2-2020.10073192 | A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs | 2020 | ||
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bangbang-1457 | Privacy-Free Zone (2016*) | 2016 |
Fieni, Matteo
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Long Lake Festival, Lugano
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