| signature | titel | year | Artista | event | |
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bangbang-1828 | Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely | 2018 |
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forms2-2022.10096177 | Recruiting 3.0 | 2022 | ||
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forms2-2021.10107547 | A Designer’s Journey. The poster: A valid medium for transformative design? | 2021 | ||
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forms2-2022.10149155 | Hug Me Barefoot | 2022 | ||
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forms2-2022.10098915 | DIGNITÀ. ANSTÄNDIG, NICHT RANDSTÄNDIG | 2022 | ||
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zotero2-2486551.E3W4KIHC | Presse ACT 2022 | 2022 | ||
| zotero2-2486551.RZEBZZ78 | Portrait | 2015-05-02 |
Weimann, Paula
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forms2-2019.972302 | Entwerfen im wirtschaftlichen, kulturellen und sozialen Kontext | 2019 | ||
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forms2-2021.10067840 | Gefängnis und Gerechtigkeit | 2021 | ||
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zotero2-2559823.RBEN6KD9 | Kreuzweise | 1984 |
Belz, Gerd; Scheffknecht, Romana
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zotero2-2641719.JNKVVH8M | Shifts in Mapping: Maps as a Tool of Knowledge | 2021-11-26 | ||
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forms2-2018.972493 | Bergfrühling | 2018 | ||
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forms2-2017.830289 | Craftschaft. Administration als Gestaltungswerkzeug im Handwerk | 2017 | ||
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forms2-2018.912797 | «Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur | 2018 | ||
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zotero2-1510019.M898Q5FB | El Origen: Die Anerkennung der Identiät durch das Bild | 2020 | ||
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zotero2-2559823.492X5P55 | Support-Surface | 1988 |
Bauermeister, René
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forms2-2021.10065448 | Wixxer der Woche. Die Geschichte hinter einer pikanten Statue | 2021 | ||
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zotero2-2486551.4JE2I8E3 | Say these Names, 2009-2015 | 2015-04-18 |
Minder, Maya
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zotero2-2486551.3YBSDDNI | Publikum/ Event | 2015-04-18 | ||
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zotero2-1510019.FWJDWE8R | LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG | 2022 | ||
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zotero2-1510019.6Q6FDBJU | LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG | 2022 | ||
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forms2-2017.940392 | Handwerk und Gestaltung. Das Designpotential schweizerischer KMU’s | 2017 | ||
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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bangbang-2071 | If I were in your shoes I would wear your shoes | 2016 |
De Pinto, Pier Giorgio
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Manifesta 11 - Zurich
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forms2-2021.10107548 | Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? | 2021 |