|   | signature | titel | year | Artista | event |
|---|---|---|---|---|---|
|
|
zotero2-5884472.HKPQ2BJQ | Hubert Cuypers: A Self-Assertive Musician | |||
|
|
zotero2-5884472.RMFXAEU5 | Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction | 2013 | ||
|
|
zotero2-5884472.TQ7E8R52 | Ganassi – Arbeitstagebuch | 2014 | ||
|
zotero2-5884472.HGLFVRL7 | Tambour du Regiment Lamarck (1693-1757) | 1735 - 1750 | ||
|
|
zotero2-5884472.7MA5TZ5V | Encounters with Benjamin Britten and Sven-Erik Bäck | |||
|
|
zotero2-5884472.ZMT2J2G6 | Encounters with Frank Martin and Albert Moeschinger | |||
| zotero2-5884472.DE88DRFB | Artikel "Militärmusik" | 1997 | |||
| zotero2-5884472.FGCX5SHD | Eine Viola da gamba von Ventura Linarol in Nizza? | 2016 | |||
| zotero2-5884472.GSUQND4E | Viol and Lute makers of Venice 1490–1630 | 2011 | |||
|
|
zotero2-5884472.KSFJBAEP | Schalmey, Bombardino, Piffaro - Die hohen Doppelrohrblattinstrumente des ausgehenden 17. und beginnenden 18. Jahrhunderts im deutschsprachigen Raum | |||
|
|
zotero2-5884472.S8I27QJW | The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) | 2023 |
Madeuf, Jean-François; Conforzi, Igino; Zimmermann, Julian; Tarr, Philipp
|
|
|
zotero2-5884472.LQHBCEMA | Hl. Caecilia, um 1514-1516 | 1514-1516 | ||
| zotero2-5884472.RKBI7P95 | “Aimable vainqueur” – version 2 with “musica moderna” Video recording of the ballroom dance | 2023 |
Gal, Mojca; Grobelnik, Thys
|
||
| zotero2-5884472.DHMUTZ8A | “Aimable vainqueur” – version 1 with “musica antigua” Recording of the music | 2023 |
Gal, Mojca; Grobelnik, Thys
|
||
| zotero2-5884472.VJWS7A4N | Regola Rubertina | 1542 | |||
| zotero2-5884472.8VD4WT8G | Problems of authenticity in sixteenth-century Italian viols and the Brussels collection | 2002 | |||
| zotero2-5884472.3LQ7FBJG | Rinascimento italiano e committenza valenzana: gli angeli musicanti della Cattedrale di València: atti del Convegno Internazionale di studi, Roma, 24-26 gennaio 2008 | 2011 | |||
| zotero2-5884472.VB9XBWTS | The 'Musica instrumentalis deudsch' of Martin Agricola | 1994 | |||
| zotero2-5884472.UTLC47G8 | Musikhistorisches Museum von Wilhelm Heyer in Cöln | 1912 | |||
|
|
zotero2-5884472.JE66XJ6A | Petrus dictus Palma ociosa: Compendium de discantu mensurabili (Amiens, 1336) | 2023 | ||
|
|
zotero2-5884472.QUQJ6A6V | Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) | 2015 | ||
|
|
zotero2-5884472.AJUE2JMM | Ganassi – Arbeitstagebuch | |||
|
zotero2-5884472.UW7VCGGK | Salo, Caspar da [?], Viola da gamba (Bass), 1555 [?] | 1575-1625 | ||
|
|
zotero2-5884472.I5TN7ZI5 | Encounters with Nadia Boulanger and Igor Stravinsky | |||
| zotero2-5884472.WHCJXEIC | "Discantus. Altus. Tenor. Bassus.", fol. 46v aus: Martin Agricola, Musica Instrumentalis Deudsch, Wittemberg (Georg Rhaw) 1529 | 1529 |