|   | signature | titel | year | Artista | event |
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zotero2-2317722.PMYNSEE9 | Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge | 03.11.2018 | ||
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zotero2-2317722.ZIIGZ4EU | Parallel history? The Archive and the Performative in the Kunsthalle Bern | 02.11.2018 | ||
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zotero2-2317722.F8KYBHNT | Denkpool I: Archive des Ephemeren und Datenbanken | 23. 03.2018 | ||
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zotero2-2317722.6VKVX4PL | Die täglichen Übungen des Kollektivs DARTS (disappearing artists) | 02.1.2018 |
Grimm, Claudia
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zotero2-2317722.KEFBAQIE | Besuch der Ausstellung | 02.11.2018 | ||
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zotero2-2317722.9MRRBWF7 | performanceABEND | 2018 | ||
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zotero2-2317722.MMMX9F8F | Audioreflexion zu Boris Nieslony: Mind the GAP – Berner Selfies | |||
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zotero2-2317722.TT633UUL | Begrüssung: Valerian Maly (Republique Geniale), Pascale Grau (Performative Archive) | 01.11.2018 | ||
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zotero2-2317722.J7AQGICH | Perform Perform | 2018 | ||
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zotero2-2317722.BZ6CD22L | What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? | 02.11.2018 |
Ferrer, Esther
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zotero2-2317722.6AIVRWBI | Kunst der Begegnung | 2018 | ||
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zotero2-2317722.2U3QC6YY | Audioreflexion zu Dorothea Schürch: Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 | |||
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zotero2-2317722.KP4HNLAR | Programm / Abstracts / Bios | 2018 |