| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
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forms2-2017.912223 | Oper als Text. Das Libretto am Beispiel der Oper La Traviata | 2017 | ||
|
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forms2-2017.941706 | Unveil | 2017 | ||
|
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forms2-2017.942209 | Räumlichkeit im Vergleich | 2017 | ||
|
|
forms2-2017.940443 | Der Kreator | 2017 | ||
|
|
forms2-2017.940477 | Re:Creation. Eine generative Visualisierung | 2017 | ||
|
|
forms2-2017.941197 | Bildreize | 2017 | ||
|
|
forms2-2017.941582 | Visuelle Lektüre 1 | 2017 | ||
|
|
forms2-2017.941581 | Personal Record Collection Catalogue | 2017 | ||
|
|
forms2-2017.942946 | female digital nude. body politics | 2017 | ||
|
|
forms2-2017.942206 | Traumbilder | 2017 | ||
|
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forms2-2017.942749 | Atlas der Denkmalpflege. Eglisau | 2017 | ||
|
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forms2-2017.883970 | Another Bookform. Distance, Location and Time | 2017 | ||
|
|
forms2-2017.914153 | Unmasking the Unseen. A Visual Atlas | 2017 | ||
|
|
forms2-2017.941788 | DAS TOOL. SPRACHGESTEUERTE GESTALTUNG | 2017 | ||
|
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forms2-2017.982944 | Wirkung von Buchstabenformen | 2017 | ||
|
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forms2-2017.942181 | Touchscreen | 2017 | ||
|
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forms2-2017.941789 | Ma journée à Sainte-Croix. Ein Sprachführer | 2017 | ||
|
|
forms2-2017.925942 | Stadt im Bild. Wahrnehmung durch Hülle | 2017 | ||
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forms2-2017.942202 | Gestaltung ist Faltung. 3 x 3 gefaltete Gedichte von Pablo Haller | 2017 | ||
|
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forms2-2017.941834 | Heimat formen | 2017 | ||
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forms2-2017.939758 | Saligia | 2017 | ||
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forms2-2017.938923 | Wer bin ich? | 2017 | ||
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forms2-2017.10007578 | This Is Also Reduction | 2017 | ||
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forms2-2017.939640 | weder_noch Magazin – Andros + Gyne | 2017 |