| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
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forms2-2019.10026653 | The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness | 2019 | ||
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bangbang-1997 | About Time | 2022 |
Borgunska, Mercedes
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FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
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bangbang-1123 | A contre courant | 2010 |
Edens, Saskia
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Performance Preis Schweiz - Sicht auf das Original
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bangbang-0674 | Margrit as a Clown | 1993, 1994, 1994 |
Schenker, Margrit
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bangbang-1639 | SPAZIO A VOCE | 2014 |
Hildebrand, Hanna
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ROAMING, RIPOSIZIONAMENTI
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bangbang-0245 | Mitoy as a hut | 2003 |
Pfister-Köfler, Hansjörg [Mirzlekid]
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Projekt FUGE Thema 1, am Quartierfest Grünau
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bangbang-0577 | un tout petit peu | 2008 |
Grau, Pascale
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Regionale 9, Münchner Kunstfilmfestival am Sommernacht: FilmFestival/ Transit Basel-Nairs 1/ Szenen aus dem Alltag
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forms2-2021.856759 | La Grand Bleu. A gentle and beautiful call for attention - Tender, empowering, simultaneous, sensitive, strong | 2021 | ||
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bangbang-2015 | About Time | 2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
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bangbang-0815 | Nous partîmes 500 | 1984 |
Rosset, Anne; Pache, Raoul-Patrick
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de la Bâtie
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bangbang-1469 | Eine BALLade, ein Einfraustück rund um den Ball in fünf Bildern | 1988 |
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bangbang-1380 | Seien Sie Flugdame | 1990 |
Mathis, Muda [Les Reines Prochaines]; Madörin, Fränzi [Les Reines Prochaines]; Rist, Pipilotti [Les Reines Prochaines]; Schmid, Regina Florida [Les Reines Prochaines]; Streiff, Gabi [Les Reines Prochaines]
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forms2-2021.10094371 | Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? | 2021 | ||
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bangbang-0035 | Utopie einer Sozialisation | 1994 |
[stoeckerselig]
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Korrespondierende Gefässe
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bangbang-0415 | Streifenweise Selbstreflexion | 2021 |
Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]
|
PerFORM¡ Das kleine Performance Festival
|
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bangbang-1272 | sometimes quickly changed | 2019 |
Lussi, Rochus
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bangbang-1665 | Who's Afraid Of? | 2021 |
[Collective Doppelganger]
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bangbang-1830 | A Swiss Study Room Guide | 2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
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bangbang-0618 | THE SWIFT EROSION OF A CRATER THROUGH HUMAN INTERVENTION | 2020 |
Hahn, Alexander
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bangbang-0137 | Wohin ist es verschwunden? Fragmente einer Traumwelt | 2017 |
Wespi, Natalia; Luv, Linda
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ACT Basel 2017
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forms2-2019.10037614 | Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession | 2019 | ||
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forms2-2020.948261 | Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process | 2020 | ||
| zotero2-5884472.YI87CRJ5 | Ganassi: 'Regola Rubertina' (1542), 'Lettione Seconda' (1543). A synopsis of the text relating to the viol | 1978/1979 | |||
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bangbang-0243 | Me as a Fountain | 2019 |
Grau, Pascale
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Performance Open Air
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bangbang-1699 | I am a network | 2000 |
Vogel, Fritz Franz
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