| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
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forms2-2019.10005130 | Mob Mob Mob Mob Mob | 2019 | ||
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forms2-2021.963071 | magnitudes, tides and voices from the core(-horizon) | 2021 | ||
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forms2-2022.10026997 | Care and Captivity | 2022 | ||
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forms2-2022.10148360 | I ay eye aille 愛 – sticky eyelashes behind lavender sunglasses { it’s all real + add shiny filter } | 2022 | ||
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forms2-2018.960647 | Transformant #1 | 2018 | ||
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forms2-2019.866847 | The party is over | 2019 | ||
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forms2-2019.10040653 | Forged from Tales and Memories, the House of Opportunities | 2019 | ||
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forms2-2020.774671 | BUMP | 2020 | ||
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forms2-2017.4001461 | Five displays with objects | 2017 | ||
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forms2-2017.912327 | Nike | 2017 | ||
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forms2-2017.941342 | Growth. zusammen mit Markus Aebersold | 2017 | ||
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forms2-2017.942275 | Keramikbank mit Würmer | 2017 | ||
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forms2-2017.971659 | Stage of Confidence | 2017 | ||
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forms2-2017.843912 | (1) Matrix Digitales / (2) Ohne Titel | 2017 | ||
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forms2-2017.829159 | Growth. zusammen mit Chris Handberg | 2017 | ||
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forms2-2017.982940 | Table des matières / Table of contents | 2017 | ||
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forms2-2017.942446 | (1) Feidar / (2) Osnarmo / (3) Poliyark | 2017 | ||
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forms2-2017.942056 | Dearena Denavibus | 2017 | ||
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forms2-2017.941749 | 200 Selbstporträts | 2017 | ||
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forms2-2017.941755 | Von gestern bis morgen | 2017 | ||
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forms2-2017.983192 | b#188 / working, living sculpture | 2017 | ||
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forms2-2017.975052 | (1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled | 2017 | ||
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forms2-2017.971925 | Eden | 2017 | ||
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forms2-2017.975453 | Kunsthaus Baselland | 2017 | ||
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forms2-2017.827924 | Adeline | 2017 |