| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
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forms2-2018.10032261 | r.e.f.l.e.c.t.i.v.e reflections. Installation, Baumwolle, Leinen, Gouache, Acryl, Ölkreide, Acryl-Glas, Pet, Garn | 2018 | ||
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forms2-2018.974638 | AVIO. connecting places. | 2018 | ||
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forms2-2018.974250 | Chevelure | 2018 | ||
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forms2-2018.912147 | On Robots and Designers | 2018 | ||
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forms2-2018.934353 | Die Wäscherei. Ausgang im Schleudergang | 2018 | ||
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forms2-2018.934155 | "Solve et coagula" (lat. löse und verbinde) | 2018 | ||
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forms2-2018.933716 | Totentanz. Dance of death | 2018 | ||
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forms2-2018.935058 | Cosmic Order | 2018 | ||
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forms2-2018.801272 | Visual Authorship under the Aspects of Market and Advertising Psychology | 2018 | ||
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forms2-2018.740456 | The Limbo Atoll. Skylar. Frankie. Toni. Lou. | 2018 | ||
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forms2-2018.975373 | Universe in Process | 2018 | ||
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forms2-2018.10009530 | The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in | 2018 | ||
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forms2-2018.10008948 | Defining Principles of Style Through Visual Expressions. Developing an Alternative Style from the Aesthetics of Chirashi | 2018 | ||
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forms2-2018.10013623 | «Ich führe meine rechte Hand zu meiner linken Schulter». Körperlichkeit versprachlichen | 2018 | ||
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forms2-2018.984418 | "Detached" | 2018 | ||
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forms2-2018.987514 | ID 2.0 | 2018 | ||
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forms2-2018.10001340 | The Other Us. Ab welchem Zeitpunkt wird die KI menschlich? | 2018 | ||
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forms2-2018.983096 | Panzer und Granaten. Kohle und Kreide auf Papier, verschiedene Formate | 2018 | ||
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forms2-2018.912414 | Typographic Image | 2018 | ||
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forms2-2018.912640 | july / lucy | 2018 | ||
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forms2-2018.912797 | «Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur | 2018 | ||
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forms2-2018.10005269 | Ich gehe täglich auf die Waage und hoffe auf ein Wunder. Preview | 2018 | ||
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forms2-2018.10005132 | Photodendron | 2018 | ||
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forms2-2018.951689 | Die Macht der Werbung. AdHack – Eine Auseinandersetzung mit bewegter Werbung | 2018 | ||
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forms2-2018.945050 | Designing Material Innovation. Material gerecht gestalten | 2018 | ||
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forms2-2018.960647 | Transformant #1 | 2018 | ||
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forms2-2018.961550 | Sterben und Design. Individuelle Raumgestaltung im palliativen Kurzzeitsetting | 2018 | ||
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forms2-2018.969352 | GENERATE, ADAPT, IMITATE. DEEP-LEARNING IM BEREICH DER GESTALTUNG | 2018 | ||
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forms2-12018.10002790 | Die Hütte | 2018 | ||
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forms2-2018.969739 | Zeitfenster | 2018 | ||
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forms2-2018.10012634 | On Publishing Art and Design Critique | 2018 | ||
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forms2-2018.10005386 | Supercycle. The Transitional Nowness | 2018 | ||
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forms2-2018.10005383 | 111 (make the unknown unknown, partialy known unknown) / Bleaching | 2018 | ||
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forms2-2018.10007380 | Gaze | 2018 | ||
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forms2-2018.18041 | Let’s Play / The Passion of | 2018 | ||
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forms2-2018.975292 | Verkohlt. Verkohlt Eine Signaletikarbeit mit Bezug zu den Köhlern vom Entlebuch | 2018 |