| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
| forms2-2019.972795 | Arche Noah 4.0. Eine begehbare Installation zum Wasserfussabdruck der Schweiz | 2019 | |||
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forms2-2019.973237 | Yago | 2019 | ||
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forms2-2019.10005389 | I Cry in My Calvins | 2019 | ||
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forms2-2019.10005130 | Mob Mob Mob Mob Mob | 2019 | ||
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forms2-2019.10004244 | Noise of War | 2019 | ||
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forms2-2019.857708 | Public Olympics | 2019 | ||
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forms2-2019.866847 | The party is over | 2019 | ||
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forms2-2019.10001128 | Auf der Suche nach Angst | 2019 | ||
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forms2-2019.10001906 | Transparency International. Eine Installation zum gegenwärtigen Umgang mit Videoüberwachung | 2019 | ||
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forms2-2019.10002028 | Li & Lu | 2019 | ||
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forms2-2019.10037802 | VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders | 2019 | ||
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forms2-2019.10037931 | Designing in Metaphors. An analysis of metaphorical thinking in poster design and its creative potential | 2019 | ||
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forms2-2019.10037940 | Investigating the Syntactic Aspects of Doodling for Graphic Design | 2019 | ||
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forms2-2019.10040653 | Forged from Tales and Memories, the House of Opportunities | 2019 | ||
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forms2-2019.10002672 | Aton | 2019 | ||
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forms2-2019.973454 | SCENARIO | 2019 | ||
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forms2-2019.972595 | Die fragmentarische Zusammensetzbarkeitsmethode | 2019 | ||
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forms2-2019.972305 | Mobiler Unterricht | 2019 | ||
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forms2-2019.972304 | deck. | 2019 | ||
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forms2-2019.10012353 | Durch-triebe-n (both stumbling and transforming) | 2019 | ||
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forms2-2019.10005642 | Description of an easement | 2019 | ||
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forms2-2019.10004229 | Tombola – Mit freundlicher Unterstützung von | 2019 | ||
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forms2-2019.946476 | Visuelle Auseinandersetzung mit Sampling in der Hip-Hop-Musik | 2019 | ||
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forms2-2019.10002675 | «Zur goldenen Rampe». Fachstelle für Austausch | 2019 | ||
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forms2-2019.10002696 | Papierkonsum | 2019 |