|   | signature | titel | year | Artiste | event |
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zotero2-5884472.F277BBJD | The Iconography of the Viola da gamba in Ganassi's Context | 2013 | ||
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bangbang-1461 | Barcode Scenario | From 2016 onwards |
Fieni, Matteo
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zotero2-2641719.H2T8JEM5 | Aroma Colorado | 2025-08 | ||
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zotero2-2641719.CW3AEQZP | ‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 | 2021 | ||
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zotero2-1510019.Q8JRHTNP | word wide web Sewing a Storybook | 2025 | ||
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zotero2-5884472.A3I7VF8E | List of Ina Lohr’s Published Compositions (incomplete) | 2016 | ||
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zotero2-2641719.7B5APSNC | Death of Women: The Dark Side of Modern Design History | 2021 | ||
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zotero2-5884472.FPXE4HWC | Ina Lohr - Dutch Christmas recording | |||
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forms2-2017.987333 | Stereotypes of Identity. Framing Latin American Women | 2017 | ||
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bangbang-0053 | Moving Backwards | 2019 |
Boudry, Pauline; Lorenz, Renate
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Biennale di Venezia
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zotero2-5884472.PK44JB54 | Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins | 2009 | ||
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zotero2-2641719.8ID7M428 | Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective | 2021 | ||
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zotero2-5884472.D7G8WD7S | A sequence of passionate attitudes after Jelgerhuis | 2023 |
Neuman, Laila Cathleen
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forms2-2021.10107547 | A Designer’s Journey. The poster: A valid medium for transformative design? | 2021 | ||
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zotero2-2486551.W2KUUC6H | First Contact with MxM@ | 2015-04-11 | ||
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zotero2-2486551.PK9SD9DK | First Contact with MxM@ | 2015-04-11 | ||
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zotero2-5884472.78JG572Z | Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary | 2017 | ||
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zotero2-5884472.EZKBPRK4 | Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction | 2013 | ||
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zotero2-5884472.QUQJ6A6V | Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) | 2015 | ||
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zotero2-5884472.UGA5K4UB | Reconstructing the “fifres” of the Grande Écurie | 2009 | ||
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zotero2-5705476.WLJD534J | Mutual matters: Goldrausch 2021 | 2021 | ||
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zotero2-5705476.WLCI9BP6 | On the edge of: Goldrausch 2023 | 2023 | ||
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zotero2-2641719.WD3NAJS3 | Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" | 2021 | ||
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bangbang-0284 | Jahreszyklus | 2009-2010 |
Pfeiffer, Stella
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zotero2-5884472.TQ7E8R52 | Ganassi – Arbeitstagebuch | 2014 | ||
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zotero2-5884472.RUKQIDSE | Bau einer Gambe nach Ganassi | 2014 | ||
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bangbang-1948 | Interview mit Tina Mantel und Salome Schneebeli | 2022 |
Mantel, Tina; Schneebeli, Salome
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zotero2-2641719.RI7FAGJ6 | How Can Plant Behavior Be Researched | 2025 | ||
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zotero2-5884472.HBU6AFZD | Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente | 2013 | ||
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zotero2-5884472.NVJN3ESW | Zur Ikonographie der Viola da gamba im Umfeld Ganassis | 2013 | ||
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zotero2-5884472.BW7PZNHF | Rybeben am Hof Maximilians I. | 2015 | ||
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zotero2-5705476.4SQ6NCN3 | Sirene: Goldrausch 2020 | 2020 | ||
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zotero2-5884472.3S52ZJNV | Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) | 2022 | ||
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zotero2-5884472.AJ6KCKPJ | Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi | 2013 | ||
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zotero2-2641719.XX84X5XK | Design as Common Good / Framing Design through Pluralism and Social Values | 2021-03-30 | ||
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zotero2-5884472.BJSP6HKV | Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert | 2015 |