| signature | titel | year | Artiste | event | |
|---|---|---|---|---|---|
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forms2-2018.10005264 | de-structure | 2018 | ||
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forms2-2018.855391 | Pfeifkonzert der Knaben. Boys' catcalls | 2018 | ||
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forms2-2018.855188 | Verhandlungsräume. Die Rolle des Gestalters in prozessorientierten Projekten | 2018 | ||
| forms2-2018.857774 | MAMA HAT DICH LIEB von Carla Monti, 2002 | 2018 | |||
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forms2-2018.962990 | x | 2018 | ||
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forms2-2018.969489 | Fluchtbesuche | 2018 | ||
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forms2-2018.10008300 | The Digital Senses. Awareness of our Interactions with Digital Objects | 2018 | ||
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forms2-2018.10005736 | Growing Stones. a design approach to synthetic biology | 2018 | ||
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forms2-2018.10005652 | SELF PORTRAIT | 2018 | ||
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forms2-2018.971913 | Genderneutrales Design | 2018 | ||
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forms2-2018.942295 | "There is nothing more - but time" | 2018 | ||
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forms2-2018.942298 | Naked Versus Nude | 2018 | ||
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forms2-2018.941964 | Kopie und Kreativität. Untersuchung kopierender, zeichnerischer Verfahren und Transfertechniken im Hinblick auf ihr kreatives Potenzial | 2018 | ||
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forms2-2018.937591 | Es war etwas äusserst Praktisches.. It was also really practical. | 2018 | ||
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forms2-2018.938638 | Das Auge isst mit | 2018 | ||
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forms2-2018.911934 | Eine Frage des Blickes. Eine Annäherung an die Wahrnehmung des bildenden Künstlers | 2018 | ||
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forms2-2018.905429 | Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation | 2018 | ||
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forms2-2018.911789 | Doppelleben | 2018 | ||
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forms2-2018.924143 | x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. | 2018 | ||
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forms2-2018.932595 | Ley. Textile meets cultures | 2018 | ||
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forms2-2018.913197 | Remix // Mashups. Referenzielle Verfahren im Unterricht des bildnerischen Gestalten | 2018 | ||
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forms2-2018.917756 | Irrgarten. Kugelschreiber, 500 x 150 cm | 2018 | ||
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forms2-2018.979725 | Something Between My Mouth and My Ear | 2018 | ||
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forms2-2018.975917 | EDUCATION SENTIMENTALE | 2018 | ||
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forms2-2018.976052 | Collaborations | 2018 |