|   | signature | titel | year | Artiste | event |
|---|---|---|---|---|---|
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bangbang-0503 | Heavy Vibrations | 2019 |
Müller, Anina; Karsten, Marlijn
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bangbang-1171 | Call me I'm there | 2021 |
Brugger, Daniela; Rüegg, Lea
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Die Raum
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bangbang-1227 | Treppstein Cool | 1996 |
[Treppstein]
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bangbang-1386 | Gottlieber Revue | 2014 |
Mathis, Muda; Regn, Chris
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Der Hecht an der Grenze
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| zotero2-2641719.9K83BT9F | Vermittlung früher Tontechnologien im digitalen Zeitalter | ||||
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zotero2-1510019.NGD3UV7C | Salon Chismosa | 2025 | ||
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zotero2-1510019.5R7TGDRT | Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. | 2024 | ||
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zotero2-1510019.4ZNXASZT | TO STYLE IS TO RESIST | 2025 | ||
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forms2-2021.10027253 | FLUFFY POISON | 2021 | ||
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zotero2-2641719.AAH67FUZ | Unter Pflanzen. Exhibition catalogue | 2025 | ||
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bangbang-1297 | Gespannte Gefährten | 2002 |
Clay, Arthur
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Gare de Nord
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zotero2-1510019.Z85KGC8H | From Mycelium to Solidarity: Decentralizing Knowledge and Embracing Queer Ecologies | 2024 | ||
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forms2-2021.971611 | Hier ist noch alles in der Schwebe | 2021 | ||
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forms2-2018.941587 | Eine andere Natur | 2018 | ||
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forms2-2022.802086 | Memassociate. Compendium of memory-based associations | 2022 | ||
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forms2-2022.10066868 | BILDERFLUT. DIE ALLGEGENWÄRTIGE BERIESELUNG DER BILDER EINER ANGEBLICH RASANTEN WELT | 2022 | ||
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forms2-2018.885763 | Intuitive haptic telemanipulator for a robotic endoscope | 2018 | ||
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forms2-2019.10001128 | Auf der Suche nach Angst | 2019 | ||
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forms2-2017.940443 | Der Kreator | 2017 | ||
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forms2-2019.10002696 | Papierkonsum | 2019 | ||
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forms2-2020.10029352 | ORAL | 2020 | ||
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forms2-2022.10043115 | NSÚKI YA LOKUTA | 2022 | ||
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forms2-2022.10095701 | Fernzugangsverzeichnis Pfäffikon ZH. Das Komische in Daten | 2022 | ||
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zotero2-2317722.K4VVV5FI | die digitale See | 2018 | ||
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bangbang-0208 | LOOC (Line out of Control) | 2009, 2010 |
Eriksson, Lena; Nair, Varsha
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Performance Saga
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