|   | signature | titel | year | Artiste | event |
|---|---|---|---|---|---|
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zotero2-5557079.AM374K8Z | Asphalt | 2016-09-08 |
Koller, Sara
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zotero2-5705476.6BPTG9RM | e-flux Index #2 |
e-flux
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zotero2-5884472.5EAT743I | Bauplan einer Viola da gamba nach Ganassi | 2019 | ||
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zotero2-2486551.JTXADTSU | I want to become one with the Idolon | 2018-04-17 | ||
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forms2-2020.801790 | Transparenz beleuchten | 2020 | ||
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zotero2-5884472.DHMUTZ8A | “Aimable vainqueur” – version 1 with “musica antigua” Recording of the music | 2023 |
Gal, Mojca; Grobelnik, Thys
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bangbang-0205 | flags 8 - flags labor finissage performance (Einreichung 10) | 2021 |
Magos, Gabriel
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flags labor 1
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bangbang-0934 | Plant # IV | 1981 |
Hahn, Alexander
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bangbang-0266 | Möbelstück | 2006 |
[Kollabor]
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<Temps Elastique>
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bangbang-0269 | Betriebsstörung | 1986 |
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zotero2-5705476.53GD5GF2 | e-flux Index #3 |
e-flux
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zotero2-2641719.V37UXFJD | Notes from Amaranth Land | 2023 |
Mensch, Julia
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bangbang-0565 | Dasein im Wegsein (Anwesend/Abwesend) | 2011 |
Ritzmann, Marion
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Performancepreis Schweiz
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bangbang-1524 | Gesagt, Getan | 2018 |
Buckel, Milena
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International Performance Art Giswil
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bangbang-1532 | Trying to disappear | 2018 |
Buckel, Milena
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Les Quarts d'Heure
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bangbang-0237 | Denken wie ein Berg | 2008 |
Bänninger, Christine; Encrantz, Johanna
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bangbang-1696 | Letten Venus – wachgeküsst | 2017 |
Rust, Dorothea
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Wachgeküsst — Rundgänge mit sechs künstlerischen Interventionen und Performances im Kreis 5 Zürich
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bangbang-1581 | Faune, faune, faune | 2019 |
Eidenbenz, Lucie
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1000 Ecologies
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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bangbang-1922 | BANG BANG: forced to the ground | 2022 |
Barth, Claudia; Barth, Trudi
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BANG BANG - translokale Performance Geschichte:n.
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bangbang-1700 | Ritual für (den) einen Mittelpunkt | 2016 |
Rust, Dorothea; Leimgruber, Hili; Woernle, Jens
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Performancepreis Schweiz
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bangbang-1895 | unsichtbarst | 1998 (UA) |
Huber, Anna
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bangbang-0064 | Zwischenräume | 2020 |
Römmelt, Ronja
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KiöR Zürich, Kunst im öffentlichen Raum der Stadt Zürich - Gasträume
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zotero2-5705476.W7A8VU3Q | I only work with lost and found: [Goldrausch 2024] | 2024 | ||
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forms2-2021.10149116 | What does it take to win your love for me? | 2021 | ||
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zotero2-2486551.6SF4MJ34 | Besame Mucho | 2015-04-11 |
Stalder, Aline; Handberg, Chris
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zotero2-5884472.75X7SK27 | Ina Lohr - Early Compositions | 2017 | ||
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zotero2-2641719.BIMQMEW7 | Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive | 2021 | ||
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bangbang-0421 | Performing Negotiations: Protocol | 2019-2020 |
Nilo, Dawn
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bangbang-1457 | Privacy-Free Zone (2016*) | 2016 |
Fieni, Matteo
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Long Lake Festival, Lugano
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bangbang-1527 | You said go slow | 2016 |
Buckel, Milena
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Born in the eighties, exposition
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bangbang-1010 | Wasting Time | 2020 |
Peñaloza, Maricruz
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#Confinamiento. Phase 2
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bangbang-40298 | SOUND OF PANS | 2022 |
Julie Semoroz and Cyril Bondi
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zotero2-5884472.I97SRHT8 | Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) | 2021 | ||
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zotero2-5884472.S8I27QJW | The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) | 2023 |
Madeuf, Jean-François; Conforzi, Igino; Zimmermann, Julian; Tarr, Philipp
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zotero2-5884472.F277BBJD | The Iconography of the Viola da gamba in Ganassi's Context | 2013 |