| signature | titel | year | Artiste | event | |
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zotero2-2317722.4YV23KGF | Denkpool III: Wilde Archive | 18.08.2018 | ||
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zotero2-2317722.HTBXHIXI | Denkpool II: Archive des Ephemeren und Policies | 25. 05.2018 | ||
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zotero2-2317722.4JU6KXIL | Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 | 01.11.2018 |
Schürch, Dorothea
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zotero2-2317722.QHSKRHEK | Live Art and the Archive: Feminist Reconfigurations | 02.11.2018 | ||
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zotero2-2317722.9INNT87N | Mind the GAP – Berner Selfies | 03.11.2018 |
Nieslony, Boris
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zotero2-2317722.PMYNSEE9 | Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge | 03.11.2018 | ||
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zotero2-2317722.5DGJNZVW | Enduring Liveness. Towards building Networks of Care | 02.11.2018 | ||
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zotero2-2317722.C4MTVT7Q | Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT | 03.11.2018 | ||
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zotero2-2317722.FAXAJY4C | Diagraming Practice: a Workshop exploring Archives and their Relationship to Databases | 02.11.2018 | ||
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zotero2-2317722.D5256GWS | Zukunftsperspektiven der Archivierung von Performancekunst | 01.11.2018 | ||
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zotero2-2317722.UKBFZU8Q | Audioreflexion zuBoris Nieslony: Mind the GAP – Berner Selfies |