|   | signature | titel | year | Artist | event |
|---|---|---|---|---|---|
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forms2-2020.10072523 | Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. | 2020 | ||
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forms2-2020.10039877 | Through the Black Mirror | 2020 | ||
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forms2-2020.10042274 | lac | 2020 | ||
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forms2-2020.10040254 | Interpreting Latin letterforms with Chinese writing gesture | 2020 | ||
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forms2-2020.126168 | Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing | 2020 | ||
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forms2-2020.159640 | EchoEcho. Design durch physische Wahrnehmung | 2020 | ||
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forms2-2020.912411 | Visualizing Utopia: Switzerland after the Labour Society | 2020 | ||
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forms2-2020.909187 | Digitale Kunstvermittlung. Ein Tool für das Kupferstichkabinett Basel | 2020 | ||
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forms2-2020.912570 | Wasserläufer. Naturnahes Produktdesign | 2020 | ||
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forms2-2020.937421 | We’re not even leaving the ground | 2020 | ||
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forms2-2020.10029560 | Die Schande vom Espenmoos. Eine Installation zu St. Galler Emotionen des 20. Mai 2008 | 2020 | ||
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forms2-2020.10028964 | Poltergeist, 1982. Ein Remake für das Filmplakat | 2020 | ||
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forms2-2020.10028967 | Das Abbild rundum | 2020 | ||
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forms2-2020.10028184 | HapticMesh. Haptic Feedback Device | 2020 | ||
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forms2-2020.10028901 | «Ceci ne sont pas douze photos». Bilder zu Gedanken während COVID19 | 2020 | ||
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forms2-2020.10029054 | simul. Ein Tisch für die Gemeinschaft | 2020 | ||
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forms2-2020.10069468 | Heilendes Design. Der Einfluss von (Innen-)Architektur auf unsere Gesundheit am Beispiel einer psychiatrischen Klinik | 2020 | ||
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forms2-2020.10100883 | Recipes of displacement to the architecture of no language | 2020 | ||
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forms2-2020.10093406 | Forward to nature | 2020 | ||
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forms2-2020.10069316 | Mute mutt and deadspace | 2020 | ||
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forms2-2020.10069329 | Fuga | 2020 | ||
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forms2-2020.10149688 | Der blaue Hummer | 2020 | ||
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forms2-2020.10029984 | Technically Nature | 2020 | ||
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forms2-2020.10030111 | Como | 2020 | ||
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forms2-2020.10074584 | Information Visualization to Help the Elderly Understand Smartphones | 2020 | ||
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forms2-2020.10079096 | How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction | 2020 | ||
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forms2-2020.10077863 | Censored to Be Seen. Investigations into the Visual Manifestation of Censorship | 2020 | ||
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forms2-2020.10001724 | Homo Deus | 2020 | ||
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forms2-2020.10001710 | Yes to Paradise and its intense impact on our lives | 2020 | ||
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forms2-2020.10001776 | Conte | 2020 | ||
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forms2-2020.10030758 | Lila TV - Ein Porträt über die Herausforderungen als Frau im Basler Rapgame | 2020 | ||
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forms2-2020.10030808 | Human Powered Dings | 2020 | ||
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forms2-2020.4140 | Graffiti vermitteln. Style Writing im BG-Unterricht | 2020 | ||
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forms2-2020.714719 | Handwerk als kuratorische Position im interaktiven Museum | 2020 | ||
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forms2-2020.10021359 | Lautstärke der Stillleben. Untersuchung der Darstellung von Objekten | 2020 | ||
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forms2-2020.10021276 | Rowesys. Jätroboter und Corporate Identity | 2020 |