|   | signature | titel | year | Artist | event |
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zotero2-2641719.M7WKKHTT | Drain | 2020-07-03 | ||
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zotero2-5884472.8TC6ZGNN | H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) | 2016 | ||
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zotero2-6112355.M7E8B2ZK | Anderswo 02 Auftauchen | 2008 | ||
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zotero2-2486551.I8UC9S6G | Das fremde Gesicht | 2015-04-11 | ||
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zotero2-2486551.CS8ZEZFU | Backstage | 2015-04-11 | ||
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zotero2-1510019.FBX6NVHV | Food is an important part of a balanced diet | 2020 | ||
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zotero2-5884472.895WSU6A | The Musical Aesthetic of the Singbewegung | 2016 | ||
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zotero2-5884472.KHUGFAU4 | Building a Ganassi Viol | 2014 | ||
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zotero2-1510019.D6939XRA | ADVA (accessible digital visual agency) | 2025 | ||
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zotero2-2641719.R79GEGGQ | I Grow, Therefore I Am. A foreword as an exchange of ideas | 2025 | ||
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zotero2-2317722.A7TDHYPZ | Blog und Rezension des Kunstmuseums Bern in Zusammenhang mit dem SYMPOSIUM «ARCHIVE DES EPHEMEREN» | 2019 | ||
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zotero2-2486551.AHC3UJET | OUN | 2012-04-05 | ||
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zotero2-2486551.Z6SSK8X5 | Mutanta | |||
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zotero2-1510019.3ADTZQVX | flowmotion | 2011 | ||
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bangbang-1751 | .perf | 2016 |
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zotero2-6112355.589QMKSH | Lemusa 06 Sud-Goulousin | 2025 | ||
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zotero2-5884472.VAPMK4RA | Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV | 2009 | ||
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zotero2-2317722.9INNT87N | Mind the GAP – Berner Selfies | 03.11.2018 |
Nieslony, Boris
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bangbang-0233 | Eisprung revisited #2 | 2016 |
Grau, Pascale
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HEIMSPIEL 2015 St. Gallen
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zotero2-2486551.ZIUPW8VW | Studies VII (with kind permission of Annie Sprinkle) | 2015-04-11 | ||
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zotero2-2486551.CME3W6ZX | Towards Love | 2015-04-11 | ||
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zotero2-2486551.KNEQVCW8 | Publikum/Event | 2015-04-11 | ||
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zotero2-2486551.ED7HDMX5 | Poster Bern | 2012-04-15 | ||
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zotero2-5884472.UCPVTSEQ | Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. | 2009 | ||
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zotero2-2641719.2ZQUUJGK | Interface Design in Digital History: An Interdisciplinary Dialogue | 2021 | ||
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zotero2-2641719.64MR77HD | RiXC Art and Science Festival 2025: Plants Intelligence - Symposium | 2025 | ||
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zotero2-1510019.G2EX8CM5 | Rotweisskariert | 2009 | ||
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zotero2-5705476.WLCI9BP6 | On the edge of: Goldrausch 2023 | 2023 | ||
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zotero2-5884472.CR3TGH67 | Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes | 2021 | ||
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zotero2-5705476.3SZHLBFW | Tender hooks: Goldrausch 2022 | 2022 | ||
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forms2-2021.10100332 | The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives | 2021 | ||
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zotero2-5884472.6E3BJTIT | Aspects of English Song Essays by Anthony Rooley | 2021 | ||
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zotero2-2641719.63D44TGH | Imagining Other Futures: Historical Interrogation and Radical Publishing | 2021 | ||
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zotero2-2486551.BFAW3549 | Space and Time | 2015-04-11 | ||
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zotero2-5884472.SC4Z7NPM | Jean-Baptiste Prin, Traité sur la trompette marine, 1742 Transkription und deutsche Übersetzung von Thilo Hirsch | 2009 | ||
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zotero2-5884472.9MSDNAGC | Interview with Ina Lohr, 1983 | 2016 |