| signature | titel | year | Artist | event | |
|---|---|---|---|---|---|
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forms2-2022.10097989 | Mani Matter im heutigen Kontext | 2022 | ||
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forms2-2022.10098329 | PHANTASM — DIE ENTWICKLUNG VON ROTOMONTAGE | 2022 | ||
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forms2-2022.10099163 | Schnittstelle Sprache/Schrift | 2022 | ||
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forms2-2022.10099467 | Nonno mit Papa, 1951; Papa, 1958; Ich mit Papa, 2002 | 2022 | ||
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forms2-2022.10156898 | Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. | 2022 | ||
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forms2-2022.10158128 | A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature | 2022 | ||
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forms2-2022.10159469 | hol(e)y trash | 2022 | ||
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forms2-2018.939597 | LOVE ISSUES | 2018 | ||
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forms2-2018.938065 | Wechselspiel analog/digital. Eine Entdeckungsreise mit Formen | 2018 | ||
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forms2-2018.974650 | Futurecraft. Tradition und Digitalisierung im Handwerk | 2018 | ||
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forms2-2018.975262 | Eine Grenze – zwei Seiten | 2018 | ||
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forms2-2018.10018298 | Wissensobjekt(e). Visuelle Thesen zu kollaborativen Entwurfspraktiken im Open Design | 2018 | ||
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forms2-2018.10014649 | Online and Offline Romanticism | 2018 | ||
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forms2-2018.910621 | Designing Game Worlds. Kohärenz in der Spielweltgestaltung von Open-World-Games durch prozedurale Generierungstechniken | 2018 | ||
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forms2-2022.10150834 | Anfangsstücke und kunstvermittlerische Dialoge vom Anfang bis zum und dann | 2022 | ||
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forms2-2022.10150009 | Workshop Matters. Visual inquiry into co-workshops | 2022 | ||
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forms2-2022.10150706 | Emico | 2022 | ||
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forms2-2022.10150915 | SENSE OF TIME | 2022 | ||
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forms2-2022.10149756 | tAbLe oF cOnTeNts | 2022 | ||
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forms2-2022.10149834 | Lick, swipe, scroll, scratch, wash, caress | 2022 | ||
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forms2-2022.10149831 | La Montaña que come Hombres | 2022 | ||
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forms2-2022.10149815 | Hobby Lobby | 2022 | ||
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forms2-12014.941882 | Interrupted Space | 2014 | ||
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forms2-12014.941912 | Ohne Titel | 2014 | ||
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forms2-2018.810041 | Figurative Daily Objects. The Potential of Pictorial Metaphors | 2018 | ||
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forms2-2018.971236 | Contact Power Choice | 2018 | ||
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forms2-2018.10009457 | Revealing the Medium. On Exposing Systems Through Failures | 2018 | ||
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forms2-2018.10013885 | From Image to Graphic. The Human and Machine Perspective | 2018 | ||
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forms2-2019.973321 | "We are all failures-at least the best of us are." J. M. Barrie | 2019 | ||
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forms2-2019.10002943 | En Masse oder individueller Konformismus. BA-Projekt Kunst | 2019 | ||
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forms2-2019.10003772 | Wanderplatz | 2019 | ||
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forms2-2019.10042890 | An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today | 2019 | ||
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forms2-2020.4140 | Graffiti vermitteln. Style Writing im BG-Unterricht | 2020 | ||
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forms2-2020.714719 | Handwerk als kuratorische Position im interaktiven Museum | 2020 | ||
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forms2-2020.10021359 | Lautstärke der Stillleben. Untersuchung der Darstellung von Objekten | 2020 | ||
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forms2-2020.10021276 | Rowesys. Jätroboter und Corporate Identity | 2020 |