| signature | titel | year | Artist | event | |
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forms2-2021.10102245 | Something that holds Something else + A Dream that stayed with me | 2021 | ||
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zotero2-2641719.ARMMBWSD | Postcard 1: I wish you were here. A virtual tour on the FHNW Campus | 2021 |
Steffen, Noemi; von der Crone, Monika
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zotero2-2641719.U3RRCVPU | Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich | 2021 |
Eggmann, Niklas; Lenzlinger, Oliver
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forms2-2022.10157598 | Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices | 2022 | ||
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zotero2-5884472.RB56KPUF | Ina Lohr: A Link between the Swiss and Dutch Early Music Movements | 2016 | ||
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zotero2-1624911.Q46PFDMI | DIE TOURISTEN - eine performative Lesung / THE TOURISTS - A lecture performance | 1995 |
Silber, Alex
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zotero2-2641719.Q373WI9V | Water, a sound that flows in one direction regardless of his will | 2020-07-03 | ||
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zotero2-2486551.KBXKIBGN | White Panic - a Satire on how to maintain white Privilege. | 2018-04-22 |
Jónsdóttir, Hildur Elísa
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zotero2-5884472.SNT5HV4V | The eloquent oboe, A history of the hautboy 1640-1760 | 2001 | ||
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bangbang-1095 | Trace Of A Sound Nr. 2 | 2017 |
Diel, Bettina
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forms2-2017.984248 | Communicating the Dangers of Radioactive Waste in 10.000 Years. A Speculative Approach | 2017 | ||
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forms2-2018.949107 | One Two Tie My Shoe. Motion and Gesture in a Digital Environment | 2018 | ||
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bangbang-0086 | A Song For Them Too | 2017 |
[Parvez]
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Legs Basel
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forms2-2020.10073890 | Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game | 2020 | ||
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zotero2-2641719.S7H7BESX | Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen | 2021 |
Zufferey, Nicolas; Rick, Timo; Steiner, Nadja
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zotero2-6117376.FFZ2KEMP | Palimpsest | 2025 |
Daphi, Dorothee; Gruppe ab
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bangbang-0173 | Nebenan | 2015 |
Pfister, Nara; Pfister-Köfler, Hansjörg [Mirzlekid]
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forms2-2018.924143 | x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. | 2018 | ||
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forms2-2018.956681 | Beyond the smile. Design of a campaign to raise awareness about depression | 2018 | ||
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bangbang-0573 | Eins bis .. | 2015 |
Ritzmann, Marion
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Performance Reihe Neu-Oerlikon
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zotero2-2486551.UKGTENP4 | Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger | 2013-04-13 | ||
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forms2-2021.10030817 | I dreamed a dream we went back in time with our today‘s mind. | 2021 | ||
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forms2-2018.972327 | CLOSE (A) SPACE. Fine Art Print auf Alu, 53 x 40 cm | 2018 | ||
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forms2-2019.8485490 | Exploring the Void. Leaving out of information as a communicative potential in photography | 2019 | ||
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zotero2-2317722.TXV4I3RN | Mitschnitt Workshop: Diagraming Practice: a workshop exploring archives and their relationship to databases | |||
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forms2-2019.10037802 | VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders | 2019 | ||
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zotero2-2641719.R79GEGGQ | I Grow, Therefore I Am. A foreword as an exchange of ideas | 2025 | ||
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zotero2-2641719.3VG3G5WZ | From the hearth – a process of discovery concerning the concept of “resonance” | 2024-10-21 | ||
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zotero2-2641719.T9MGQW2D | Telling the Foreign. A Travel Kit for Design Students – ready for download! | 2018-05-04 | ||
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zotero2-5884472.938TX49X | An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch | 2013 | ||
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forms2-2021.10031490 | The question of responsibility. A designer's approach to sustainable guitar making | 2021 | ||
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forms2-2022.10100557 | Everybody Has A Plan, Until You Get Punched In The Face | 2022 | ||
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forms2-2018.905429 | Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation | 2018 | ||
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forms2-2021.10114712 | Visual Well-being. A visual approach to design for the subjective well-being | 2021 | ||
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forms2-2019.10041213 | Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design | 2019 | ||
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forms2-2022.10161452 | Food for Thought. A Visual Exploration of Food Culture in India and Europe | 2022 |