| signature | titel | year | Artist | event | |
|---|---|---|---|---|---|
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forms2-2018.946105 | Transportkisten | 2018 | ||
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forms2-2018.973539 | Exploration in Augmented Reality | 2018 | ||
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forms2-2018.975349 | FOREVER OR NEVER | 2018 | ||
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forms2-2018.10014646 | Personal Visualization of Medication Information | 2018 | ||
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forms2-2018.10014939 | Die Puppe spielen | 2018 | ||
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forms2-2018.10014862 | lew-art — kunst, design & kommunikation | 2018 | ||
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forms2-2018.909091 | Der Akt Fotografieren. Eine künstlerisch-praktische Untersuchung des Moments des Abdrückens | 2018 | ||
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forms2-2018.909187 | The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm | 2018 | ||
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forms2-2018.912340 | Untitled | 2018 | ||
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forms2-2018.932387 | It's all going very well, no problems at all | 2018 | ||
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forms2-2018.830327 | Plats de Résistance | 2018 | ||
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forms2-2018.970908 | VERSIONS | 2018 | ||
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forms2-2018.969908 | Der nie zu fixierende Zustand des Dazwischen | 2018 | ||
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forms2-2018.941786 | Un peu juste. Balade visuelle et interrogative à travers la variété des pratiques quotidiennes | 2018 | ||
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forms2-2018.941587 | Eine andere Natur | 2018 | ||
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forms2-2018.939736 | LINK 01. Armbanduhr | 2018 | ||
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forms2-2018.941187 | HEIMAT INTERKULTURELL. Ein migrationspädagogisches Vermittlungsprojekt im Kontext einer Kulturinstitution unter Reflexion von partizipativen Vermittlungsmethoden | 2018 | ||
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forms2-2018.940423 | It’s not easy, but it’s simple | 2018 | ||
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forms2-2018.996949 | Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis | 2018 | ||
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forms2-2018.10005248 | Gare de Marseille-Saint-Charles | 2018 | ||
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forms2-2018.949107 | One Two Tie My Shoe. Motion and Gesture in a Digital Environment | 2018 | ||
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forms2-2018.830824 | Concept Art. Weltenbauen im Raumbild | 2018 | ||
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forms2-2018.10008946 | Photo Reportages in Travel Magazines. Analysis of Photo Motifs | 2018 | ||
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forms2-2018.10005649 | Selected Works with Special Guest | 2018 | ||
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forms2-2018.10005399 | Surrounded by Spaces. an Introspective Point of View | 2018 |