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forms2-2022.10144448 | Pretty Ugly. Redefining the aesthetic narrative of a shopping trolly | 2022 | ||
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zotero2-5705476.HNBZA6KA | Conversation with Jennifer Hayashida: Translating as a practice of reuse | 2025 | ||
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zotero2-2641719.E96KDU3Q | Plant Cognition and AI in Comparison—A Mental Game | 2025 | ||
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zotero2-2641719.E6GJCFV2 | Workshop Just Listen! Soundscape as a designable common good. | 2020-12-16 | ||
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zotero2-1510019.QCXHJWT2 | Le Homard - Entstehungsprozess Einer EP, Becoming A Singer/Songwriter | |||
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forms2-2021.10103786 | Santo Amaro’s bedroom view (after a painting by José Escada) | 2021 | ||
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forms2-2022.10149673 | A Quest into Colour. Natural Colours and Their Creative Qualities | 2022 | ||
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motetcycle-1956 | M290 O domine Iesu Christe adoro te resurgentem a mortuis | |||
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zotero2-1624911.35TEXGRD | I Have seen a angle Version V Teil 2 | 1995 |
Nieslony, Borys
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motetcycle-1146 | M262 O domine Iesu Christe adoro te resurgentem a mortuis | |||
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bangbang-1845 | Ein Bett in Rom | 2018 |
Widmer, Birgit
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Tart
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zotero2-2317722.FAXAJY4C | Diagraming Practice: a Workshop exploring Archives and their Relationship to Databases | 02.11.2018 | ||
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forms2-2019.10036938 | Looking into Fog. An investigation of fog as a design element | 2019 | ||
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zotero2-2486551.MB2Q8D75 | Performance Lektüren | 2013-09-27 |
Gebhardt Fink, Sabine; Bernadett, Settele; Wittmer, Stephan; von Büren, Margarit; a&a
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zotero2-2641719.ISAVF86G | Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab | 2021 |
Brander, Gertrud; Mertenat, Joé; Steiner, Nadja
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bangbang-1429 | A trio for a household | 2018 |
[SploachSploach]
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Les Urbaines
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bangbang-2097 | My home has a golden Guest | 2011 |
De Pinto, Pier Giorgio
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zotero2-2641719.KWJBCQRD | 04 | Gilbert Riedelbauch | Cultural Spaces - A Point of View from Canberra, Australia | 2017-06-21 | ||
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zotero2-2641719.R79GEGGQ | I Grow, Therefore I Am. A foreword as an exchange of ideas | 2025 | ||
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zotero2-5884472.TV9JXVFB | An Evidence-based Reconstruction of a Viol after Silvestro Ganassi | |||
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zotero2-2317722.W7PJPUCF | Researching the Restiveness: This is NOT a Performance. This is NOT an Ethnography | 02.11.2018 |
Yau, Wen
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forms2-2021.10102245 | Something that holds Something else + A Dream that stayed with me | 2021 | ||
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forms2-2022.10157598 | Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices | 2022 | ||
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zotero2-2641719.ARMMBWSD | Postcard 1: I wish you were here. A virtual tour on the FHNW Campus | 2021 |
Steffen, Noemi; von der Crone, Monika
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zotero2-2641719.U3RRCVPU | Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich | 2021 |
Eggmann, Niklas; Lenzlinger, Oliver
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zotero2-1624911.Q46PFDMI | DIE TOURISTEN - eine performative Lesung / THE TOURISTS - A lecture performance | 1995 |
Silber, Alex
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zotero2-2486551.KBXKIBGN | White Panic - a Satire on how to maintain white Privilege. | 2018-04-22 |
Jónsdóttir, Hildur Elísa
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zotero2-5884472.SNT5HV4V | The eloquent oboe, A history of the hautboy 1640-1760 | 2001 | ||
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zotero2-2641719.Q373WI9V | Water, a sound that flows in one direction regardless of his will | 2020-07-03 | ||
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bangbang-1095 | Trace Of A Sound Nr. 2 | 2017 |
Diel, Bettina
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forms2-2017.984248 | Communicating the Dangers of Radioactive Waste in 10.000 Years. A Speculative Approach | 2017 | ||
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forms2-2018.949107 | One Two Tie My Shoe. Motion and Gesture in a Digital Environment | 2018 | ||
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bangbang-0086 | A Song For Them Too | 2017 |
[Parvez]
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Legs Basel
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forms2-2020.10073890 | Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game | 2020 | ||
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bangbang-1461 | Barcode Scenario | From 2016 onwards |
Fieni, Matteo
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 |