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zotero2-2641719.54WHUH7H | Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production | 2021 | ||
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zotero2-2641719.KAZE2ZBD | Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity | 2021 | ||
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zotero2-1510019.M898Q5FB | El Origen: Die Anerkennung der Identiät durch das Bild | 2020 | ||
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zotero2-5705476.ZZ6GFAZH | e-flux Index #1 |
e-flux
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bangbang-1809 | Say These Names | 2016 |
Minder, Maya
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Act Performance Festival
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zotero2-5884472.PK44JB54 | Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins | 2009 | ||
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zotero2-1510019.P3CF2IAU | cLab | 2011 | ||
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forms2-2018.10013914 | Naïve Set Theory. Anarchiving Memory | 2018 | ||
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zotero2-1510019.Q8JRHTNP | word wide web Sewing a Storybook | 2025 | ||
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zotero2-2641719.DMFQAUCK | Reviving the memory of Modernist type designer Joan Trochut | 2021 | ||
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zotero2-2641719.JNKVVH8M | Shifts in Mapping: Maps as a Tool of Knowledge | 2021-11-26 | ||
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zotero2-2317722.PMYNSEE9 | Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge | 03.11.2018 | ||
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zotero2-2641719.QG2R9MNK | Dessobons and archaeodesign | 2021 | ||
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bangbang-0395 | Archivsimulation | 2016 |
Grimm, Claudia
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PPP ProgrPerformancePlattform
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zotero2-2641719.IA4BRKCA | The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts | 2021 | ||
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zotero2-5705476.6BPTG9RM | e-flux Index #2 |
e-flux
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zotero2-5884472.SGBE5VRK | Trompeterensembles und ihre Musik im Spätmittelalter | 2021 | ||
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zotero2-2486551.PXGMHA4U | Festivaldaten | 2018-05-05 17:22:14 | ||
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zotero2-2486551.GVAAHKZ7 | Konzept und Veranstaltungsdaten | 2018-05-05 16:53:20 | ||
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zotero2-6112355.KEZT82NZ | Witio Geschichte | 2026 | ||
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zotero2-2486551.6C4SS8XA | Feedback | 2011-05-06 | ||
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zotero2-2486551.R6ME7C34 | Feedback | 2012-04-05 | ||
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zotero2-2486551.QSDRRX52 | Dozierende Meeting ACT (leer) | 2018-05-05 16:54:36 | ||
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zotero2-2486551.D9VSUJF4 | Festivaldaten | 2005-11-28 | ||
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zotero2-2486551.SV8BGS8P | Feedback | 2012-04-05 | ||
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zotero2-2486551.RCGFQ8VR | Projektbeschrieb | 2007-02-20 | ||
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zotero2-2486551.QURCSJV9 | Ankündigung ACT 2003 (Namen, Daten, Einleitung) | 2018-05-05 16:53:20 | ||
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zotero2-2486551.BHU3J34D | Feedback | 2012-04-05 | ||
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zotero2-2486551.4ND2ACB2 | Protokoll Vorbereitungssitzung | 2007-02-22 | ||
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zotero2-2486551.RAZHCAN2 | Feedback | 2012-04-05 | ||
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zotero2-2486551.QA67U7BM | Schlussbericht Muda Mathis für die HGK Basel Abteilung Bildende Kunst Medienkunst | 2018-05-05 16:53:20 | ||
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zotero2-2486551.HRZX2TD6 | Dozierende Meeting ACT (leer) | 2018-05-05 16:54:36 | ||
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zotero2-2486551.HZ7QECXE | Einladung Mammuttag | 2018-05-05 17:22:14 | ||
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zotero2-2486551.7IEJUWIC | Feedback | 2012-04-05 | ||
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zotero2-2486551.GWZUKZ6G | Emergency Feedback Service | 2013-04-13 | ||
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zotero2-5884472.B9UUJ36Q | Entrée grave from Lully’s “Persée” Video recording of the dance | 2023 |
Gal, Mojca
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