|   | signature | titel | year | Artist | event |
|---|---|---|---|---|---|
|
bangbang-0331 | Garden Of Solidarity | 2021 |
[Parvez]
|
Corona Call Visarte - Basel exhibition
|
|
zotero2-5884472.W3QCEIMA | Tambour, 1696 | 1671 - 1696 | ||
|
zotero2-1510019.52HIKA8S | PHANTASM DIE ENTWICKLUNG VON ROTOMONTAGE | 2022 | ||
|
zotero2-1510019.4JEDMP9Z | PHANTASM DIE ENTWICKLUNG VON ROTOMONTAGE | 2022 | ||
|
bangbang-0476 | SULK IV | 2021 |
Gawęda, Dorota; Kulbokaitė, Eglė
|
Magazine (exhibition)
|
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zotero2-1510019.XZ6BPEMW | It’s always night, or we wouldn’t need light. | 2010 | ||
|
zotero2-1510019.BI43F37A | tit for tat | 2016 | ||
|
zotero2-1510019.CBQFZ8Z7 | Fremd unter Fremden | 2012 | ||
|
|
forms2-2021.963312 | CIMA. Eine Kamera für den professionellen Gebrauch | 2021 | ||
|
|
forms2-2022.10099894 | Modular Interior. Gedacht als großer elektrischer Kombi mit autonomen Fahrmodus | 2022 | ||
|
zotero2-1510019.AZ3GDFMV | Freie Projektschule | 2010 | ||
|
zotero2-1510019.SIASMNWV | Adaptive Intranets? | 2003 | ||
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zotero2-1510019.TJU6MKIV | KANN DAS HYPERWERK EIN SAFER-SPACE SEIN? | 2022 | ||
|
zotero2-1510019.3XU2F77G | KANN DAS HYPERWERK EIN SAFER-SPACE SEIN? | 2022 | ||
|
zotero2-1510019.RSV98FKG | Hyperpunks | 2013 | ||
|
zotero2-1510019.MHIN3NA8 | VIRTUAL/PHYSICAL & TIME/SPACE | 2011 | ||
|
zotero2-1510019.8PDRNK4D | inKa | 2002 | ||
|
zotero2-1510019.7S5JMPFU | Stereovision | 2006 | ||
|
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forms2-2022.10099017 | Project Njørd | 2022 | ||
|
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forms2-2022.10065837 | Project Njørd | 2022 | ||
|
zotero2-1510019.VQ9ZSSW5 | Essen verbindet | 2016 | ||
|
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forms2-2021.10031418 | I. T. LIGHTS collection | 2021 | ||
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zotero2-1510019.XFKEWD3R | Augmented Collaboration | 2002 | ||
|
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forms2-2021.10061503 | Begegnungswelten | 2021 | ||
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zotero2-1510019.96F6BDTZ | ANALOG - DIALOG | 2022 |