| signature | titel | year | Artist | event | |
|---|---|---|---|---|---|
|
zotero2-1510019.XI3M6345 | Conversation is a revolutionary act | 2024 | ||
|
|
zotero2-2486551.KQZPJFIJ | 20 years ago, a discussion | 2023 | ||
|
|
zotero2-2641719.AF3CIH49 | What is a Cultural Space? | 2017-06-01 | ||
|
|
zotero2-1510019.IKKRVNDQ | A way. Thoughts about emigration | 2013 | ||
|
|
bangbang-0995 | Lauthals | 2018 |
Schürch, Dorothea [Vokalensemble Maulauf]; Ungureanu, Irina [Vokalensemble Maulauf]; Wiss, Isa [Vokalensemble Maulauf]; Käser, Mischa [Vokalensemble Maulauf]; Mäder, Urban [Vokalensemble Maulauf]; Weibel, Urs [Vokalensemble Maulauf]
|
|
|
zotero2-4278174.CJR6SN3M | Quilts as a Tool of Resistance | 2019 |
Kessler, Jana; Schwald, Marcel
|
|
|
zotero2-2641719.Z2TA5KIP | Hitting an egg on a plate | 2020-07-03 | ||
|
|
zotero2-2641719.WEB9CS7B | A missing narrative of Ghana’s graphic design history | 2021 | ||
|
|
zotero2-1510019.NK4HQ6MD | Studio Osoi; a versatile label | 2019 | ||
|
|
zotero2-1510019.Q8JRHTNP | word wide web Sewing a Storybook | 2025 | ||
|
|
forms2-2022.10065557 | A piece of home. Digital Ornament | 2022 | ||
|
|
zotero2-5884472.D7G8WD7S | A sequence of passionate attitudes after Jelgerhuis | 2023 |
Neuman, Laila Cathleen
|
|
|
|
zotero2-2486551.IFSST9PH | Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger | 2013-04-13 | ||
|
|
forms2-2021.10063011 | A Migratory Journal To Switzerland | 2021 | ||
|
|
zotero2-2486551.MMCAEE5A | There must be a corner | 2007-05-06 | ||
|
|
zotero2-2486551.ZSGK9HPZ | everyday life of a president | 2018-04-18 |
Schmidt, Jonas
|
|
|
|
zotero2-2486551.PAZN2JAX | Slowly with never a pause | 2013-04-13 |
O'Leary, Deirdre; Brugger, Daniela; Lengsfeld, Lena
|
|
|
|
zotero2-2486551.NZ5HRR2R | THE I BECOMES A WE | 2022 |
Schmelcher, Anuk
|
|
|
|
zotero2-2486551.4AF7MQ55 | There must be a corner | 2007-05-06 |
Baumgartner, Nino
|
|
|
|
zotero2-2486551.3DVUKIHW | Ending on a sour Note | 2018-04-22 |
Luv, Linda
|
|
|
|
zotero2-2486551.5S29B5B9 | A Bed for the Stranger | 2022 |
Colemêrg, Azad; Chakraborty, Ishita
|
|
|
|
zotero2-2486551.XP5ERQFE | a little gift for you | 2004-05-15 |
Wüthrich, Anina
|
|
|
|
zotero2-5557079.RCTVIBMD | Mama’s body is a mountain | 2015-06-09 |
Moschini, Natascha
|
|
|
zotero2-5705476.T9QIJYYQ | Cold lens as a filter | 2023 | ||
|
|
zotero2-5705476.TPV7XGGF | Teaching the Radical Catalogue – a Syllabus | 2024 | ||
|
|
zotero2-2486551.WWEF4G4P | A voice crying in the desert | 2018-04-17 |
Aernoudt, Celine
|
|
|
|
zotero2-2486551.C9T3JZ6I | Is there a one night standard? | 2018-05-05 |
Coquart, Pauline
|
|
|
|
zotero2-5884472.RB56KPUF | Ina Lohr: A Link between the Swiss and Dutch Early Music Movements | 2016 | ||
|
|
zotero2-2641719.AZNTCTDB | Tunda: A Quantic Plant and the Devil’s Breath | 2025 |
Castelblanco, Felipe
|
|
|
|
forms2-2022.10073196 | Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form | 2022 | ||
|
|
forms2-2020.10074593 | VISUAL COMMUNICATION OF INTERDEPENDENCE. A Theoretical-practical research into interdependence: a visual form of emptiness | 2020 | ||
|
|
zotero2-2641719.8ID7M428 | Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective | 2021 | ||
|
|
zotero2-1510019.PD6GEVND | How to Dissolve; a Collective Experiment | 2019 | ||
|
|
zotero2-2486551.CJX3FTN4 | 20 ideas for a performance at home | 2020-05-03 | ||
|
|
forms2-2019.997631 | cascina [ka∫'∫ina]. A trip above abandonment | 2019 | ||
|
|
forms2-2021.10122523 | Topo-Analysis of Space. A Lived Experience | 2021 |