| signature | titel | year | Artist | event | |
|---|---|---|---|---|---|
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zotero2-1510019.RLF3QERD | Visual storytelling | 2018 | ||
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zotero2-1510019.HGB4NS57 | unwrapped | 2006 | ||
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zotero2-1510019.M898Q5FB | El Origen: Die Anerkennung der Identiät durch das Bild | 2020 | ||
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zotero2-1510019.RKT7KN7E | streets are shouting | 2010 | ||
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zotero2-1510019.2GMMDVU2 | Max Provo | 2011 | ||
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zotero2-1510019.5XU4TD5G | REFRAME | 2011 | ||
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zotero2-1510019.9HDRXV5A | ZEITRAUM EINE AUSEINANDERSETZUNG MIT DER RESSOURCE ZEIT | 2022 | ||
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zotero2-1510019.24F4JQRS | indito | 2006 | ||
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zotero2-1510019.IIE2MJT2 | «How does home sound like?» | 2023 | ||
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zotero2-1510019.TJU6MKIV | KANN DAS HYPERWERK EIN SAFER-SPACE SEIN? | 2022 | ||
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zotero2-1510019.M92K65FE | www.virtualaffairs.com | 2002 | ||
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zotero2-1510019.CAQPJZ5U | schappeLan | 2003 | ||
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zotero2-1510019.SFNWSDVC | an archive of beloved things | 2024 | ||
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zotero2-1510019.94FVZ3XT | Processing Psychedelics | 2023 | ||
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zotero2-1510019.KSSG7KIP | Forming Loving Relations To Found Goods | 2025 | ||
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zotero2-1510019.KEE5PWWA | DIE BEWOHNUNG DER FALTE VON THEORIE UND PRAXIS | 2022 | ||
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zotero2-1510019.UHM55472 | REUSE REDUCE REDESIGN HOW TO UNPERFORM PLASTIC RECYCLING | 2024 | ||
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zotero2-1510019.7FHRSF72 | BILDERFLUT DIE ALLGEGENWÄRTIGE BERIESELUNG DER BILDER EINER ANGEBLICH RASANTEN WELT | 2022 | ||
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zotero2-1510019.37HWJM2E | Searching for the musical mother-tongue | 2024 | ||
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zotero2-1510019.JJZ6INTM | Auszeit | 2024 | ||
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zotero2-1510019.GB7I2VNW | Exchange Oasis Austauschoase | 2023 | ||
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zotero2-1510019.4EE8YEK7 | Von Männern*, Apparaten und Unschärfen | 2018 | ||
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zotero2-1510019.9VNQ2PIU | BOOK OF URBANISM | 2009 | ||
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zotero2-1510019.M6W233JG | Traverse | 2011 | ||
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zotero2-1510019.F5WVQIFG | Instant Gain in Grace | 2003 |