| signature | titel | year | Artist | event | |
|---|---|---|---|---|---|
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forms2-2019.3989 | The Last Picture 1950 – 2016 (2019) | 2019 | ||
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forms2-2019.968339 | How to get in touch | 2019 | ||
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forms2-2019.970748 | NO FUN | 2019 | ||
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forms2-2019.970158 | Zenso | 2019 | ||
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forms2-2019.10002205 | Transit-Orte bei Nacht | 2019 | ||
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forms2-2019.10002334 | Murmuration. BA-Projekt Kunst | 2019 | ||
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forms2-2019.10002391 | Modu | 2019 | ||
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forms2-2019.10034454 | Seeing Klybeck. Visualizing an urban community | 2019 | ||
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forms2-2019.10034084 | Zakynthos; Ritom; Otranto; St. Saphorin; Oberwil | 2019 | ||
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forms2-2019.10034226 | Study from Böcklin | 2019 | ||
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forms2-2019.997631 | cascina [ka∫'∫ina]. A trip above abandonment | 2019 | ||
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forms2-2019.996373 | Spuren. BA-Projekt Kunst | 2019 | ||
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forms2-2019.8487361 | Changing Eras | 2019 | ||
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forms2-2019.10032453 | Outside the Frame. Framing strategies in the climate change movement | 2019 | ||
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forms2-2019.10026987 | HOMECOMING | 2019 | ||
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forms2-2019.10018428 | Ein erweiterter Blick auf unsere Welt | 2019 | ||
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forms2-2019.10033958 | MIAMI; Spinne | 2019 | ||
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forms2-2019.10014186 | How to Dissolve. a Collective Experiment | 2019 | ||
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forms2-2019.10026653 | The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness | 2019 | ||
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forms2-2019.10033799 | FaceGrinder | 2019 | ||
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forms2-2019.937599 | Ästhetische Erfahrung trifft Smartphone. Ein Kunstvermittlungsprojekt zur Förderung ästhetischer Erfahrungen durch die sinnliche Kunstrezeption und die Möglichkeiten des Smartphones | 2019 | ||
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forms2-2019.937605 | INTIM. Eine künstlerische Forschung der Intimität | 2019 | ||
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forms2-2019.928828 | Saaltexte im Museum. Bedeutung und Potenzial | 2019 | ||
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forms2-2019.972600 | SALIVA | 2019 | ||
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forms2-2019.973245 | Jes | 2019 |