|   | signature | titel | year | Artist | event |
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zotero2-2641719.XSCADSKI | Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby | 2025 | ||
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zotero2-1510019.IIE2MJT2 | «How does home sound like?» | 2023 | ||
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forms2-2021.10063619 | Where It All Begins | 2021 | ||
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zotero2-2571213.9PC666S8 | Interview von Irene Müller und Pascale Grau mit Heidi Eisenhut und René Schmalz, Schauwerk Trogen, Kantonsbibliotek Appenzell Ausserhoden, 24.6.2010 | 24.06.2010 | ||
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zotero2-1510019.26BPGJ5I | Gönn Dir! | 2020 | ||
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zotero2-1510019.V6AP5NK2 | Artefakte einer Utopie | 2020 | ||
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zotero2-1510019.9F626PUX | OneDifferentStory | 2008 | ||
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zotero2-1510019.6WXDZSUV | Inter View | 2009 | ||
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zotero2-1510019.K7EKETP3 | COLLECTIVE COLLECTION | 2022 | ||
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zotero2-1510019.G77TQHH2 | DESIGNING AS PROCESS ASPEKTE IM SPEKTRUM DER PROZESSGESTALTUNG | 2022 | ||
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zotero2-1510019.8GMC8VD8 | Das Freudenzimmer | 2020 | ||
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zotero2-1510019.4NZUD75S | COLLECTIVE COLLECTION | 2022 | ||
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zotero2-1510019.NAN8K2WD | Get Shot | 2013 | ||
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zotero2-1510019.7QAJZW27 | DESIGNING AS PROCESS ASPEKTE IM SPEKTRUM DER PROZESSGESTALTUNG | 2022 | ||
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bangbang-0597 | Panoptikum | 2020 |
Wittmer, Mahtola
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zotero2-5884472.5W7MCBIP | Die «Écuries» von Versailles | 2009 | ||
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bangbang-1544 | Jiihaaa! | 2003 |
Vögtli, Lex
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„Sommer Performance Tage“
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zotero2-2486551.8NESHFWK | E-Publikation | 2018-08-20 09:39:21 | ||
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bangbang-1137 | myFunerals #1 purification | 2013 |
Luedi, Juerg
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ACT Performancefestival der Schweizer Kunsthochschulen
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zotero2-1510019.2CEH7DTU | DruckBus | 2012 | ||
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zotero2-1510019.J5MZCD67 | MEINE SUCHE NACH DIGITALER SELBSTBESTIMMUNG | 2022 | ||
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zotero2-1510019.IEFM2FTJ | MEINE SUCHE NACH DIGITALER SELBSTBESTIMMUNG | 2022 | ||
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forms2-2022.65097 | [sledpow] | 2022 | ||
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zotero2-1510019.22EZ4CM6 | Willing To Be Troubled | |||
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zotero2-1510019.UHM55472 | REUSE REDUCE REDESIGN HOW TO UNPERFORM PLASTIC RECYCLING | 2024 |