|   | signature | titel | year | Artist | event |
|---|---|---|---|---|---|
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zotero2-2641719.7CCEUFRV | Decolonisation, the History of Design, and the Designs of History | 2021 | ||
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zotero2-1510019.JT2HHIMP | Like Father Like Son | 2015 | ||
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zotero2-1510019.2I79KHRA | |w|here | 2015 | ||
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zotero2-1510019.PPCAGR5M | LIK LAK | 2002 | ||
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zotero2-1510019.HGB4NS57 | unwrapped | 2006 | ||
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zotero2-1510019.2X9999ME | Über die Eigenfrequenz von Luftschlössern | 2013 | ||
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zotero2-1510019.HE4PPWFH | CADArt | 2008 | ||
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zotero2-1510019.GVNIQSC2 | Reizvoll | 2004 | ||
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zotero2-1510019.ISVJ3S58 | Ultra Umami | 2015 | ||
|
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bangbang-1388 | Shift the Manifesto | 2019 |
Dillier, Monika; Ganz, Iris; Hauert, Sibylle; König, Lysann; Madörin, Fränzi; Mathis, Muda; Mildenberger, Dorothea; Müller, Sarah Elena; Naegelin, Barbara; Regn, Chris; Saemann, Andrea; Schürch, Dorothea; Zwick, Sus
|
Performancepreis Schweiz
|
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zotero2-5705476.4SQ6NCN3 | Sirene: Goldrausch 2020 | 2020 | ||
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zotero2-1510019.XZ6BPEMW | It’s always night, or we wouldn’t need light. | 2010 | ||
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zotero2-1510019.45NINX5F | The good, the bad and the urban | 2014 | ||
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zotero2-1510019.8M9CSE84 | Ridebook | 2008 | ||
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zotero2-1510019.WEEHDJ4Q | ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS | 2022 | ||
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zotero2-1510019.ZK4E9M5Z | Romeo und Julia in meinem Block | 2013 | ||
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zotero2-1510019.Z5BVE3FV | ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS | 2022 | ||
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zotero2-1510019.C97TTF6K | BOYS DON'T CRY | 2019 | ||
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bangbang-1158 | Lara (Kakologie Teil II.) | 2014 |
Geröcs, Julia
|
Swiss Performance Art Award
|
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bangbang-1212 | Reflexion | 2001 |
Streiff, Barbara
|
Reflexion - Network
|
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zotero2-1510019.MHVHTVR8 | (IN)VISIBLE BORDERS | 2024 | ||
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zotero2-1510019.PZBSXEV9 | Frauen Erzählen | 2019 | ||
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zotero2-1510019.GB7I2VNW | Exchange Oasis Austauschoase | 2023 | ||
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zotero2-1510019.XDDIXD6Z | Hin und Her | 2012 | ||
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zotero2-1510019.6652PEG7 | NOMATARK | 2009 |