| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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forms2-2020.10079499 | Future Communications. Investigating Nonlinear Methods of Digital Communication | 2020 | ||
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forms2-2018.10013911 | Temporal Sentiments | 2018 | ||
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forms2-2021.10122530 | Flowing Nature. On Translating the Visual Qualities of the Rhine River | 2021 | ||
| forms2-2020.10079096 | How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction | 2020 | |||
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forms2-2020.10077863 | Censored to Be Seen. Investigations into the Visual Manifestation of Censorship | 2020 | ||
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forms2-2018.10013885 | From Image to Graphic. The Human and Machine Perspective | 2018 | ||
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forms2-2018.10013991 | The Affordances of Scripting Typography | 2018 | ||
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forms2-2021.10122527 | Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. | 2021 | ||
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forms2-2022.10161452 | Food for Thought. A Visual Exploration of Food Culture in India and Europe | 2022 | ||
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forms2-2020.10077865 | How Will We Be Remembered?. Social Media Images as Future Remnants | 2020 | ||
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forms2-2022.10161448 | In Formation. Future Memoirs of Indian Matchbox labels | 2022 | ||
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forms2-2021.10122529 | Creation Under Constraint – the Potential of Restriction | 2021 | ||
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forms2-2019.10041210 | Are Images an Epistemic Medium? | 2019 | ||
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forms2-2021.10122525 | How Fuzzy Thinking Emerges the Way We Look at Pollution | 2021 | ||
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forms2-2021.10122523 | Topo-Analysis of Space. A Lived Experience | 2021 | ||
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forms2-2019.10041213 | Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design | 2019 | ||
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forms2-2022.10161451 | Value Valued Valuable. Exploring the human-object relationship | 2022 | ||
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forms2-2018.10013914 | Naïve Set Theory. Anarchiving Memory | 2018 | ||
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forms2-2021.10122526 | Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs | 2021 |