| Signatur | Titel | Jahr | KünstlerIn | Event | |
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forms2-2021.10101476 | I am not there | 2021 | ||
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forms2-2021.10101472 | fagus noir | 2021 | ||
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forms2-2021.973245 | Schnittstelle innovative Technologien, Prozesse und Manufaktur | 2021 | ||
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forms2-2021.5016320 | Design orientiertes Lernen für das 21. Jahrhundert | 2021 | ||
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forms2-2021.10094371 | Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? | 2021 | ||
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forms2-2021.10098429 | Terra Ignota. Machine Learning for Visual Research | 2021 | ||
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forms2-2021.799206 | Édition Tinnef | 2021 | ||
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forms2-2021.10112209 | fagus noir | 2021 | ||
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forms2-2021.10116372 | Freiheit durch Unabhängigkeit | 2021 | ||
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forms2-2021.10079257 | Digitale Resilienz. Widerstand im Informationszeitalter | 2021 | ||
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forms2-2021.972077 | No Tomorrow Without Today. When dreams become reality | 2021 | ||
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forms2-2021.10099808 | Kami | 2021 | ||
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forms2-2021.10069708 | Latent_presences. Was versteht ein Algorithmus von den Bildern, die wir in den sozialen Medien hochladen? | 2021 | ||
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forms2-2021.10101027 | Radical Certainty | 2021 | ||
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forms2-2021.10102577 | Friends | 2021 | ||
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forms2-2021.10116587 | Own for life. Strategien zur Verlängerung der Nutzungsdauer alltäglicher Produkte | 2021 | ||
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forms2-2021.912627 | Hinter den Oberflächen | 2021 | ||
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forms2-2021.973650 | stay home. Zwischen Wohnen und Arbeiten – Möbel für Girsberger | 2021 | ||
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forms2-2021.10034091 | Im Spannungsfeld von Tradition und Innovation. Die antike Amazigh Kultur und das Berliner Startup Limala | 2021 | ||
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forms2-2021.886244 | Mein Design? | 2021 | ||
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forms2-2021.10004175 | Have I ever spoken properly? | 2021 | ||
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forms2-2021.10102170 | t-witch of the limbs | 2021 | ||
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forms2-2021.10102242 | Hut building for kids. Comparison between a modular and a non-modular system | 2021 | ||
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forms2-2021.10102145 | Cloudgänger | 2021 | ||
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forms2-2021.10040633 | A New Flow. The influence of Scenography on the perception and narration of public space | 2021 |