| Signatur | Titel | Jahr | KünstlerIn | Event | |
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forms2-2022.10111284 | Recalibrating Sense of Place | 2022 | ||
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forms2-2022.10157579 | digital communication in the art museum environment | 2022 | ||
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forms2-2022.10149279 | Visual Communication for Gender Inclusive Makeup | 2022 | ||
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forms2-2022.10072524 | Invisible Borders. An outsider's perspective through a participatory approach | 2022 | ||
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forms2-2022.10156898 | Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. | 2022 | ||
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forms2-2022.10158128 | A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature | 2022 | ||
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forms2-2022.10150009 | Workshop Matters. Visual inquiry into co-workshops | 2022 | ||
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forms2-2022.10149028 | NEUTRAL*. An exploration of the influence of grammatical gender on visual representation | 2022 | ||
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forms2-2022.10073196 | Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form | 2022 | ||
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forms2-2022.10158041 | Living Traces. A Speculative Experiment on Visual Memories | 2022 | ||
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forms2-2022.10158352 | Piercing cinema: an inquiry into the versatility of the screen space configurations | 2022 | ||
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forms2-2022.10005248 | Data Image Dialogue. The Potentiality of the Digital Photograph as Data Visualization Tool | 2022 | ||
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forms2-2022.10148420 | The Simplification of Abstract Realities. Visualizing science and testing methods of interaction between design and other disciplines. | 2022 | ||
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forms2-2022.10151350 | Still and moving images juxtaposition and superimposition for object representation.. Design and Analysis of object visuals representation of Eclisse (lamp) by Vico Magistretti. | 2022 | ||
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forms2-2022.10149673 | A Quest into Colour. Natural Colours and Their Creative Qualities | 2022 | ||
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forms2-2022.10157598 | Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices | 2022 | ||
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forms2-2022.10157133 | in, with, or without Nature. Practice-led Research into Today’s Natureculture | 2022 |