| Signatur | Titel | Jahr | KünstlerIn | Event | |
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forms2-2018.819007 | Merging Spaces | 2018 | ||
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forms2-2018.10008951 | Transitions of Space | 2018 | ||
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forms2-2018.10014646 | Personal Visualization of Medication Information | 2018 | ||
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forms2-2018.996949 | Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis | 2018 | ||
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forms2-2018.949107 | One Two Tie My Shoe. Motion and Gesture in a Digital Environment | 2018 | ||
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forms2-2018.10008946 | Photo Reportages in Travel Magazines. Analysis of Photo Motifs | 2018 | ||
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forms2-2018.810041 | Figurative Daily Objects. The Potential of Pictorial Metaphors | 2018 | ||
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forms2-2018.10009457 | Revealing the Medium. On Exposing Systems Through Failures | 2018 | ||
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forms2-2018.838352 | The Reciprocal Relationship of Image and Sound in Animated Film Narratives | 2018 | ||
| forms2-2018.10008614 | How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) | 2018 | |||
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forms2-2018.10001812 | RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT | 2018 | ||
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forms2-2018.10008300 | The Digital Senses. Awareness of our Interactions with Digital Objects | 2018 | ||
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forms2-2018.979725 | Something Between My Mouth and My Ear | 2018 | ||
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forms2-2018.885104 | Depicting Inequality. Still-Life as an Expansion of Documentary Photography | 2018 | ||
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forms2-2018.801272 | Visual Authorship under the Aspects of Market and Advertising Psychology | 2018 | ||
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forms2-2018.10009530 | The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in | 2018 | ||
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forms2-2018.10008948 | Defining Principles of Style Through Visual Expressions. Developing an Alternative Style from the Aesthetics of Chirashi | 2018 | ||
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forms2-2018.912414 | Typographic Image | 2018 | ||
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forms2-2018.10012634 | On Publishing Art and Design Critique | 2018 |