| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
|
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forms2-2018.970641 | the witch (precapitalist) / acant (moonish) / potential (rose) | 2018 | ||
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forms2-2018.912340 | Untitled | 2018 | ||
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forms2-2018.10005649 | Selected Works with Special Guest | 2018 | ||
|
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forms2-2018.3769 | Iris / Christopher / Atlanta | 2018 | ||
|
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forms2-2018.10049278 | A Becoming A Master of Ugly/Sexy. The Draedalix Experience | 2018 | ||
|
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forms2-2018.10005645 | Haus Hardstrasse 43 | 2018 | ||
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forms2-2018.10005264 | de-structure | 2018 | ||
| forms2-2018.857774 | MAMA HAT DICH LIEB von Carla Monti, 2002 | 2018 | |||
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forms2-2018.10005652 | SELF PORTRAIT | 2018 | ||
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forms2-2018.976052 | Collaborations | 2018 | ||
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forms2-2018.885943 | Innards 1–5 | 2018 | ||
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forms2-2018.704734 | k.A. | 2018 | ||
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forms2-2018.912640 | july / lucy | 2018 | ||
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forms2-2018.10005269 | Ich gehe täglich auf die Waage und hoffe auf ein Wunder. Preview | 2018 | ||
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forms2-2018.10005132 | Photodendron | 2018 | ||
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forms2-2018.10005386 | Supercycle. The Transitional Nowness | 2018 | ||
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forms2-2018.10005383 | 111 (make the unknown unknown, partialy known unknown) / Bleaching | 2018 | ||
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forms2-2018.10005272 | Things are full of empty gods | 2018 |