| Signatur | Titel | Jahr | KünstlerIn | Event | |
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zotero2-5884472.SGBE5VRK | Trompeterensembles und ihre Musik im Spätmittelalter | 2021 | ||
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zotero2-5884472.ZFPEQQZE | Les fifres dans les compagnies entre 1660 et 1761 | 2009 | ||
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zotero2-5884472.92CWSN87 | The Curious Story of Low Pitch at the Schola Cantorum Basiliensis | 2020 | ||
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zotero2-5884472.VAPMK4RA | Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV | 2009 | ||
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zotero2-5884472.XKEU3Z4X | Holy Week traditional chant from Dalmatia Zagreb, 2009 & 2014 | 2023 | ||
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zotero2-5884472.JE66XJ6A | Petrus dictus Palma ociosa: Compendium de discantu mensurabili (Amiens, 1336) | 2023 | ||
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zotero2-5884472.VMWI2UG7 | Leonhard Lechner - Historia der Passion 1 | |||
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zotero2-5884472.B9UUJ36Q | Entrée grave from Lully’s “Persée” Video recording of the dance | 2023 |
Gal, Mojca
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zotero2-5884472.5EAT743I | Bauplan einer Viola da gamba nach Ganassi | 2019 | ||
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zotero2-5884472.8TC6ZGNN | H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) | 2016 | ||
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zotero2-5884472.MHBVDALX | Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone | 2026 | ||
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zotero2-5884472.3S52ZJNV | Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) | 2022 | ||
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zotero2-5884472.3FB2CKQD | Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614) | 2023 | ||
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zotero2-5884472.NWQ7BUN7 | Encounters with Ernst Krenek | |||
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zotero2-5884472.QUQJ6A6V | Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) | 2015 | ||
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zotero2-5884472.BXI723UH | Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) | 2021 | ||
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zotero2-5884472.UWJVNDMB | Keyboard Accompaniment in Italy around 1600 Intabulations, Scores and Basso Continuo | 2022 | ||
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zotero2-5884472.ZMT2J2G6 | Encounters with Frank Martin and Albert Moeschinger | |||
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zotero2-5884472.UCPVTSEQ | Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. | 2009 | ||
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zotero2-5884472.RUKQIDSE | Bau einer Gambe nach Ganassi | 2014 | ||
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zotero2-5884472.DHMUTZ8A | “Aimable vainqueur” – version 1 with “musica antigua” Recording of the music | 2023 |
Gal, Mojca; Grobelnik, Thys
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zotero2-5884472.BW7PZNHF | Rybeben am Hof Maximilians I. | 2015 | ||
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zotero2-5884472.938TX49X | An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch | 2013 | ||
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zotero2-5884472.RX6CW46V | Collection and Comparisons of Measurement Data of Historical Small-Sized Bassoons | 2023 | ||
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zotero2-5884472.QU7QVBB2 | Projekt «Mobile Barock-Bühne», 21.08.2023 – 30.06.2025 Dokumentation und Anleitungen | 2025 | ||
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zotero2-5884472.IBDAAN7S | I poyde Barlaam na urata od Palaca Excerpt from “Barlaam and Josaphat” | 2023 |
Livljanić, Katarina; Maurer, Albrecht; Rodenkirchen, Norbert
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zotero2-5884472.UGA5K4UB | Reconstructing the “fifres” of the Grande Écurie | 2009 | ||
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zotero2-5884472.78JG572Z | Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary | 2017 | ||
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zotero2-5884472.AJ6KCKPJ | Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi | 2013 | ||
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zotero2-5884472.7Q45ZK7E | La guitare en France vers 1800 Textes du projet de recherche | 2014 | ||
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zotero2-5884472.SHAGASTC | Die Tonträgeraufnahmen der Schola Cantorum Basiliensis 1980–2025 | 2025 | ||
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zotero2-5884472.D7G8WD7S | A sequence of passionate attitudes after Jelgerhuis | 2023 |
Neuman, Laila Cathleen
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zotero2-5884472.UJUJ3K7B | Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» | 2025 | ||
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zotero2-5884472.HBU6AFZD | Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente | 2013 | ||
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zotero2-5884472.JU85GHEU | Encounters with Bela Bartok | |||
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zotero2-5884472.D69QP5KQ | Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion | 2013 |