|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
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zotero2-1510019.2GMMDVU2 | Max Provo | 2011 | ||
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zotero2-5884472.SHAGASTC | Die Tonträgeraufnahmen der Schola Cantorum Basiliensis 1980–2025 | 2025 | ||
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zotero2-5884472.EIKD857Z | Die "Écuries" von Versailles | |||
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zotero2-2641719.RBV9AD5P | Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul | 2021 | ||
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zotero2-2641719.U75P5QRI | Becoming Soundscape – Listening, Perceiving and Acting | 2024-10-15 | ||
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bangbang-0694 | COMMODI-FICTION | 2021 |
[Parvez]
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COMMODI-FICTION
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zotero2-5884472.HVV8RAW5 | Gross Geigen & Rybeben - North-Alpine ‚Viola da gamba‘ Ensembles in the Early 16th Century | 2015 | ||
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zotero2-1510019.I6N53VHU | Der unsichtbare Rucksack | 2020 | ||
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zotero2-5884472.UG88IVCQ | Die "Tambours" am Hof Ludwigs XIV. und XV. | |||
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zotero2-1510019.I3XGV3QP | Hedonoeko | 2009 | ||
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forms2-2021.10039143 | Kawah ijen #21 | 2021 | ||
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forms2-2019.10002756 | clever clean – simple life | 2019 | ||
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forms2-2020.10021282 | KOMPOST QWADER. worm composter out of wood | 2020 | ||
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zotero2-6112355.Z8AV9CWY | Im Fieber durch die Emirate 02 | 2008 | ||
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zotero2-1510019.J5MZCD67 | MEINE SUCHE NACH DIGITALER SELBSTBESTIMMUNG | 2022 | ||
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zotero2-1510019.3SPFMXSW | Schoolyard | 2008 | ||
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zotero2-1510019.IEFM2FTJ | MEINE SUCHE NACH DIGITALER SELBSTBESTIMMUNG | 2022 | ||
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zotero2-1510019.DD7G8WUP | Making Your So-Called Justice Obsolete | |||
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bangbang-1265 | Spinoza is(s)t.. | 2007 |
Jaeggi, Urs [Art Clay]
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Digital Art Weeks 2007
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zotero2-1510019.R6ECN753 | The Question Of Responsibility - Designer's Approach On Sustainable Guitar Making | |||
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zotero2-1510019.EXVNKSU8 | Spaces of (Be)longing - Eine kuratorische Auseinandersetzung | 2023 | ||
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zotero2-1510019.2ZUWH3VQ | Traummedien / Medienträume | 2002 | ||
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zotero2-1510019.9BDFX349 | copyleft.cc | 2002 | ||
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zotero2-1510019.J3EEKKBH | PingPong | 2008 | ||
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zotero2-5884472.EFABZUX3 | The Shawm and the Alta Ensemble during the “Slide Trumpet Years” | 2021 | ||
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zotero2-5884472.UJUJ3K7B | Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» | 2025 | ||
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zotero2-2486551.995XZ5EB | Handout ACT ON 2013 | 2013-09-27 | ||
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zotero2-1510019.6L9PY895 | Grenzpräsenz | 2017 | ||
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zotero2-2641719.IGNDBHTW | Changing aesthetical taste in ottoman interiors in the 1740s | 2021 | ||
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zotero2-2641719.F8WJU9PW | Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) | 2021 | ||
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zotero2-2641719.TSFWJNSA | HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality | 2021 | ||
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zotero2-2641719.IA4BRKCA | The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts | 2021 | ||
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zotero2-1510019.SKE2PGCX | Applied Robotics in Art and Design Education | 2016 | ||
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zotero2-1510019.SABJWIKQ | Expedition Nordung. Wissen wo es langgeht | 2014 | ||
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zotero2-2641719.268PAJIS | Kooperieren, konspirieren, paktieren – mit Pflanzen | 2025 | ||
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bangbang-1152 | Wie kommt man zur Kunst | 2017 |
Geröcs, Julia; Studerus, Gabriel
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Ausstellung "Bewegte Körper"
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