| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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forms2-2019.10034084 | Zakynthos; Ritom; Otranto; St. Saphorin; Oberwil | 2019 | ||
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forms2-2019.10034226 | Study from Böcklin | 2019 | ||
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forms2-2022.856802 | Tunnel; Spiral 1–5 | 2022 | ||
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forms2-2019.10033958 | MIAMI; Spinne | 2019 | ||
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forms2-2021.10093860 | fire ages | 2021 | ||
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forms2-2021.10145330 | 4 Läufer + Untitled | 2021 | ||
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forms2-2021.10149116 | What does it take to win your love for me? | 2021 | ||
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forms2-2018.10005264 | de-structure | 2018 | ||
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forms2-2020.10102785 | Hilanderas (James S. Brady Briefing Room, White House, USA February 25, 2020) | 2020 | ||
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forms2-2021.801721 | BECOMING LYSANN | 2021 | ||
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forms2-2022.10149155 | Hug Me Barefoot | 2022 | ||
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forms2-2022.10149465 | 360 | 2022 | ||
| forms2-2018.857774 | MAMA HAT DICH LIEB von Carla Monti, 2002 | 2018 | |||
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forms2-2018.10005652 | SELF PORTRAIT | 2018 | ||
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forms2-2022.10186115 | A Dialogue between a Wooden Moth and Blue Slippers | 2022 | ||
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forms2-2019.884833 | nine smaller paintings | 2019 | ||
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forms2-2020.10005018 | Portraits 1–14 | 2020 | ||
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forms2-2020.10034082 | growing anyway | 2020 | ||
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forms2-2020.10069727 | SOMA | 2020 | ||
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forms2-2020.10069718 | Deep down the oceans are rising hydrothermal vents | 2020 | ||
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forms2-2020.10069726 | Stage for disappearance | 2020 | ||
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forms2-2019.10033961 | Agate Grey | 2019 | ||
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forms2-2021.10102859 | Love, Transform, Repeat | 2021 | ||
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forms2-2021.10103786 | Santo Amaro’s bedroom view (after a painting by José Escada) | 2021 | ||
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forms2-2021.10102958 | fermentedself | 2021 |