|   | Signatur | Titel | Jahr | KünstlerIn | Event |
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zotero2-2486551.FN7WE5NU | Icon - Janine Iten | 2013-04-13 | ||
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zotero2-2486551.UKGTENP4 | Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger | 2013-04-13 | ||
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zotero2-2486551.IFSST9PH | Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger | 2013-04-13 | ||
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zotero2-2486551.T87J763T | Ideen zur Verabschiedung | |||
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zotero2-2486551.AW8RJDX8 | Programm | 2015-04-11 | ||
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zotero2-2486551.5TAJD7HD | My funeral no. 1 purification - Juerg Luedi | 2013-04-13 | ||
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zotero2-2486551.PFAF823F | Verlustängste - Meri Vukovic | 2013-04-13 | ||
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zotero2-2486551.2UHD7NPP | Suspension - Nagi Gianni Naegeli | 2013-04-13 | ||
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zotero2-2486551.TRGNKT7C | Das Gestell - Rolf Flüeler | 2013-04-13 | ||
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zotero2-2486551.GP7X8RKZ | Verlustängste - Meri Vukovic | 2013-04-13 | ||
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zotero2-2486551.CVAVSTKQ | Road Trip - Anja Rüegsegger | 2013-04-13 | ||
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zotero2-2486551.SIIM3HWB | Projektbeschrieb | 2016 | ||
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zotero2-2486551.BBUFFI7Q | 175 - Sabrina Labis | 2013-04-13 | ||
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zotero2-2486551.JF59QNZQ | ACT Einführungssatz | 2017-04-19 | ||
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zotero2-2486551.443CJX2W | Zum Frühstück älter werden - Sabrina Labis | 2013-04-13 | ||
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zotero2-2317722.4JU6KXIL | Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 | 01.11.2018 |
Schürch, Dorothea
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zotero2-2317722.ZKUXPRXL | Eat Art Apéro and Lunch | 01.11.2018 |
Erni, Antonia
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zotero2-1510019.SFNWSDVC | an archive of beloved things | 2024 | ||
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zotero2-2641719.SMHEXG8D | CC_Cycles of Circulation SUBPROJECTS | 2025 | ||
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zotero2-2641719.VHQ2TW7J | CC_Cycles of Circulation EVENTS | 2025 | ||
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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zotero2-1510019.3FSBVWPM | L'ID CULTEUR | 2014 | ||
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bangbang-0805 | Der Schlaf der Vernunft gebiert Ungeheuer (Nachstellung des Gemäldes "die Nacht" von Ferdinand Hodler | 2007 |
Grau, Pascale
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forms2-2021.10107548 | Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? | 2021 | ||
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zotero2-2641719.XX84X5XK | Design as Common Good / Framing Design through Pluralism and Social Values | 2021-03-30 | ||
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zotero2-5884472.EFABZUX3 | The Shawm and the Alta Ensemble during the “Slide Trumpet Years” | 2021 | ||
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bangbang-0546 | nackt gehen max 1m/min | 2010 |
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forms2-2021.10030964 | Zwischen Senden und Empfangen. Die Entstehung eines interkulturellen feministischen Vermittlungsformates – eine Arbeit von Soumaya Batache und Isabel Raeuftlin | 2021 | ||
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forms2-2019.10004214 | New Ways of Preparing Tea | 2019 | ||
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forms2-2021.10047162 | Zwischen Senden und Empfangen. Die Entstehung eines interkulturellen feministischen Vermittlungsformates – eine Arbeit von Soumaya Batache und Isabel Raeuftlin | 2021 | ||
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zotero2-6112355.63A7A3B7 | Upanaxnı Publikationen | 2026 | ||
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forms2-2021.10108751 | Translational imagery. Revealing the invisible aspects from things through the abstract translational technique | 2021 | ||
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zotero2-6112355.CE78Z9XF | Lemusa 04 Ouest-Sampogne | 2025 | ||
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zotero2-2641719.G2PQ3GSW | Datenmanagement an Kunsthochschulen - Anforderungen zwischen Forschung, Vermittlung und Archiv | 2022 | ||
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zotero2-1510019.8FVUSDAP | Weaving–Unweaving the Observer | 2026 | ||
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zotero2-5884472.EZKBPRK4 | Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction | 2013 |