| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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forms2-2019.998557 | Tourists; Apocalypse | 2019 | ||
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forms2-2019.10000351 | Surplus Values | 2019 | ||
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forms2-2021.10032209 | Maze + Wind II | 2021 | ||
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forms2-2018.912340 | Untitled | 2018 | ||
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forms2-2021.10142855 | MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING | 2021 | ||
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forms2-2022.10066750 | It belonged to time now, to history; was past the touch and control of the living | 2022 | ||
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forms2-2022.10067274 | we used to be straight | 2022 | ||
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forms2-2018.830327 | Plats de Résistance | 2018 | ||
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forms2-2018.970908 | VERSIONS | 2018 | ||
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forms2-2018.969908 | Der nie zu fixierende Zustand des Dazwischen | 2018 | ||
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forms2-2022.10144978 | naughty lil Thomas | 2022 | ||
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forms2-2022.10148352 | Scar Tissue | 2022 | ||
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forms2-2019.830711 | Alogo | 2019 | ||
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forms2-2019.828956 | Butter | 2019 | ||
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forms2-2019.830257 | no lemon – no melon | 2019 | ||
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forms2-2018.940423 | It’s not easy, but it’s simple | 2018 | ||
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forms2-2020.937421 | We’re not even leaving the ground | 2020 | ||
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forms2-2020.10100883 | Recipes of displacement to the architecture of no language | 2020 | ||
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forms2-2020.10069316 | Mute mutt and deadspace | 2020 | ||
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forms2-2020.10069329 | Fuga | 2020 | ||
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forms2-2020.10149688 | Der blaue Hummer | 2020 | ||
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forms2-2021.969603 | First-come, First-served | 2021 | ||
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forms2-2021.942750 | www.mäschi.com | 2021 | ||
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forms2-2022.10228747 | Destroyed lives of Ukrainians | 2022 | ||
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forms2-2022.10148588 | To gain speed, to move faster | 2022 |