|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
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zotero2-2486551.6CDRNQ38 | Controlling Crowds | 2015-04-11 | ||
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zotero2-2486551.UR8C94WM | Beyond Trinity | 2015-04-11 | ||
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zotero2-2486551.DUGK2SPD | Lecture I | 2015-04-10 | ||
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zotero2-2486551.I6FXB87B | 70 Trillion | 2015-04-11 | ||
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zotero2-2486551.WHV5SEKU | Zufällige Wiedergabe | 2015-04-11 | ||
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zotero2-2486551.GHGPP7GG | Besame Mucho | 2015-04-11 | ||
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zotero2-2486551.T7KX6A9R | Drehung | 2015-04-11 | ||
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zotero2-2486551.73NXT9DI | Moderation | 2015-04-10 | ||
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zotero2-2486551.KUW9Z59F | Publikum/Event | 2015-04-10 | ||
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zotero2-2486551.KSZKSV7M | Language Is Skin. I Rub My Language Against The Other. | 2015-04-10 | ||
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zotero2-2486551.WG94274B | Es ist zu Ende | 2015-04-11 | ||
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zotero2-2486551.XQ789IC4 | apresperf.ch – Moving Performance To Text | 2015-04-10 | ||
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zotero2-2641719.S22NADJA | Re-engaging with Design History through the Practical Turn | 2021 | ||
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zotero2-5884472.BW7PZNHF | Rybeben am Hof Maximilians I. | 2015 | ||
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zotero2-5884472.78JG572Z | Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary | 2017 | ||
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zotero2-5884472.92CWSN87 | The Curious Story of Low Pitch at the Schola Cantorum Basiliensis | 2020 | ||
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zotero2-5884472.7Q45ZK7E | La guitare en France vers 1800 Textes du projet de recherche | 2014 | ||
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zotero2-5884472.UGA5K4UB | Reconstructing the “fifres” of the Grande Écurie | 2009 | ||
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zotero2-5884472.PU54P839 | Early bowed instruments around 1500, Part I (Italy) | 2013 | ||
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bangbang-0421 | Performing Negotiations: Protocol | 2019-2020 |
Nilo, Dawn
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zotero2-2486551.C889MCJT | Headbang | |||
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zotero2-2486551.E25ASSPI | But that's another story, Part II (Jeff Wall, Milk 1984) | 2010-04-11 |
Schauecker, Renée
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zotero2-5705476.9399BTEZ | Committing to decolonial feminist practices of reuse | 2024 | ||
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zotero2-2486551.28SHSR59 | Masterplan | 2017 | ||
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zotero2-2641719.FZ7V5ZSG | Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants | 2025 | ||
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zotero2-2641719.MCAAVPJQ | Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania | 2021 | ||
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zotero2-5884472.68MK9UW5 | Französische Satzmodelle des Grand Siècle | 2020 | ||
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zotero2-5884472.BJSP6HKV | Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert | 2015 | ||
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zotero2-5884472.IEIVPJ6M | Hubert Cuypers: A Self-Assertive Musician | 2016 | ||
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zotero2-2486551.DGXBLCEL | Portrait | 2015-04-18 |
Weimann, Paula
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zotero2-1510019.7KXP7JHT | video conflictum | 2010 | ||
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 | ||
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zotero2-2641719.DD8RWWFU | Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge | 2021 | ||
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zotero2-1510019.8M9CSE84 | Ridebook | 2008 | ||
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zotero2-2641719.RI7FAGJ6 | How Can Plant Behavior Be Researched | 2025 | ||
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zotero2-2486551.FF9FXSWP | Jeu d'enfant. Tirelire, monnaie. | 2015-04-11 |