|   | Signatur | Titel | Jahr | KünstlerIn | Event |
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zotero2-2486551.BBUFFI7Q | 175 - Sabrina Labis | 2013-04-13 | ||
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zotero2-2486551.JF59QNZQ | ACT Einführungssatz | 2017-04-19 | ||
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zotero2-2486551.443CJX2W | Zum Frühstück älter werden - Sabrina Labis | 2013-04-13 | ||
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zotero2-2317722.4JU6KXIL | Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 | 01.11.2018 |
Schürch, Dorothea
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zotero2-2317722.ZKUXPRXL | Eat Art Apéro and Lunch | 01.11.2018 |
Erni, Antonia
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zotero2-2641719.SMHEXG8D | CC_Cycles of Circulation SUBPROJECTS | 2025 | ||
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zotero2-2641719.VHQ2TW7J | CC_Cycles of Circulation EVENTS | 2025 | ||
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zotero2-2641719.XX84X5XK | Design as Common Good / Framing Design through Pluralism and Social Values | 2021-03-30 | ||
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zotero2-2641719.TNWUAQPU | Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s | 2021 | ||
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zotero2-2317722.75QVJ6NP | Archive des Ephemeren: Denken, Praktizieren, Vernetzen, Weitermachen | 2019 | ||
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forms2-2021.10107548 | Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? | 2021 | ||
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zotero2-6112355.63A7A3B7 | Upanaxnı Publikationen | 2026 | ||
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zotero2-5884472.EFABZUX3 | The Shawm and the Alta Ensemble during the “Slide Trumpet Years” | 2021 | ||
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zotero2-6112355.9PZCGNNV | Lemusa 03 Centre-Sentom | 2025 | ||
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zotero2-1510019.8FVUSDAP | Weaving–Unweaving the Observer | 2026 | ||
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forms2-2021.10108751 | Translational imagery. Revealing the invisible aspects from things through the abstract translational technique | 2021 | ||
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zotero2-2317722.ZELKTPG6 | Plakatwand Wilde Archive | 01.11.-03.11.2018 | ||
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zotero2-5557079.XP765BRA | Programm PPP 2016 | 2016 | ||
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zotero2-5884472.HZHB98AG | La Grande Écurie du Roi | |||
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zotero2-2317722.LWXWVI9Z | Manifestation of Performance | 03.11.2018 |
Gusberti, Daria
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zotero2-5884472.EZKBPRK4 | Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction | 2013 | ||
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zotero2-2641719.SZQFVSG3 | Traktanden Sommerklausur | 2020-08-20 | ||
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forms2-2022.10073196 | Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form | 2022 | ||
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zotero2-2641719.H2T8JEM5 | Aroma Colorado | 2025-08 | ||
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zotero2-2641719.CGB2R8PI | Colorado | 2025 |
Mensch, Julia
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bangbang-2099 | It's all about Love | 2009 |
De Pinto, Pier Giorgio
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zotero2-2641719.XHFUGJWD | Amaranth as Political Agent | 2025 | ||
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zotero2-2641719.77HXWTTR | Peripher_ies Links & References | 2020-07-07 | ||
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motetcycle-0399 | C02 Beata progenies | |||
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zotero2-1510019.B295NRI5 | Diary of a Nonrealization | 2023 | ||
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forms2-2018.830824 | Concept Art. Weltenbauen im Raumbild | 2018 | ||
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zotero2-2486551.V7PI5ZNE | Daten und Projektbeschrieb | 2008-01-05 | ||
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zotero2-2641719.EK7DDWB2 | GAMA Vocabulary | 2010 | ||
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forms2-2020.10073192 | A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs | 2020 | ||
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zotero2-2641719.WTRMANM7 | Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile | 2021 | ||
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zotero2-5884472.I97SRHT8 | Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) | 2021 |