| Signatur | Titel | Jahr | KünstlerIn | Event | |
|---|---|---|---|---|---|
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zotero2-1510019.8M9CSE84 | Ridebook | 2008 | ||
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zotero2-1510019.ETNECVTA | Enter Propaganda | 2003 | ||
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zotero2-1510019.PPWWDP6N | VONS numériques | 2003 | ||
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zotero2-1510019.RHT2V48M | Assoziationen | 2002 | ||
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zotero2-1510019.PCUKDXX3 | The People’s Office | 2009 | ||
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zotero2-1510019.YKHHDSEZ | Institut für Prozessnotation und Konnektivitätsförderung | 2018 | ||
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zotero2-1510019.J4DZENVN | Whom the chef kisses, changes the dish. | 2023 | ||
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zotero2-1510019.MTI7AP3A | If plants could speak... | 2019 | ||
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zotero2-1510019.G77TQHH2 | DESIGNING AS PROCESS ASPEKTE IM SPEKTRUM DER PROZESSGESTALTUNG | 2022 | ||
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zotero2-1510019.KEAAGQY9 | Institut für textiles Forschen | 2017 | ||
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zotero2-1510019.9BFRT2ZQ | DER SOGENANNTE ÖFFENTLICHE RAUM, GRAFFITI UND POSITION | 2022 | ||
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zotero2-1510019.L4ALZ2UT | Identeco | 2018 | ||
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zotero2-1510019.DNQCH5FK | Gemeinschaft Bauen | 2016 | ||
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zotero2-1510019.EQ4ZMGC8 | Why Issue | 2015 | ||
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zotero2-1510019.9DPTXGBN | Wastetainment | 2014 | ||
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zotero2-1510019.WV9ZCSZ5 | Project Mold | 2025 | ||
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zotero2-1510019.6L9PY895 | Grenzpräsenz | 2017 | ||
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zotero2-1510019.6LRGU3EE | Post Virtuel Internet | 2017 | ||
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zotero2-1510019.8GMC8VD8 | Das Freudenzimmer | 2020 | ||
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zotero2-1510019.4NZUD75S | COLLECTIVE COLLECTION | 2022 | ||
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zotero2-1510019.VHHKFKAX | FREIHYPE EINE HOMMAGE AN DIE INTRINSISCHE MOTIVATION | 2022 | ||
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zotero2-1510019.9KSJ2SW5 | Laboratorium Flugmodus | 2019 | ||
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zotero2-1510019.6RNGKPW3 | StattBüro | 2019 | ||
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zotero2-1510019.CT873HQ9 | How to get into | 2018 | ||
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zotero2-1510019.V37537QH | Verspielt | 2006 |