|   | Signatur | Titel | Jahr | KünstlerIn | Event |
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zotero2-1510019.7KXP7JHT | video conflictum | 2010 | ||
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zotero2-2641719.JNKVVH8M | Shifts in Mapping: Maps as a Tool of Knowledge | 2021-11-26 | ||
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 | ||
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zotero2-2641719.DD8RWWFU | Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge | 2021 | ||
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zotero2-1510019.M898Q5FB | El Origen: Die Anerkennung der Identiät durch das Bild | 2020 | ||
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zotero2-2641719.RI7FAGJ6 | How Can Plant Behavior Be Researched | 2025 | ||
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zotero2-2486551.FF9FXSWP | Jeu d'enfant. Tirelire, monnaie. | 2015-04-11 | ||
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zotero2-2486551.EPJVMCDV | Ein Polyamorie Manifest | |||
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zotero2-2641719.KX9RNUQ6 | Roland Jung: Dualitäten : Arbeiten aus den Jahren 1979-1982 : Ausstellung in der Galerie Littmann, Basel, 21.10.-20.11.1982 | 1982 | ||
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zotero2-2641719.7B5APSNC | Death of Women: The Dark Side of Modern Design History | 2021 | ||
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zotero2-5884472.PK44JB54 | Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins | 2009 | ||
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zotero2-5884472.ZFPEQQZE | Les fifres dans les compagnies entre 1660 et 1761 | 2009 | ||
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zotero2-2486551.PAPNCGGM | Wie der Wind chunt cho blase | 2015-04-11 | ||
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zotero2-2486551.MVIZVGHA | Schwarm | 2015-04-11 | ||
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zotero2-2486551.8WSIKBVT | Ohne Titel | 2015-04-11 | ||
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zotero2-2641719.XSCADSKI | Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby | 2025 | ||
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zotero2-5884472.DHMUTZ8A | “Aimable vainqueur” – version 1 with “musica antigua” Recording of the music | 2023 |
Gal, Mojca; Grobelnik, Thys
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bangbang-2085 | BUMPER TO BUMPER — 1 Einfrau-Performance Leben - nicht überleben will ich! | 1983-1985 |
Vogel, Yvonne
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43 Performances in der Schweiz, in den Niederlanden, in Deutschland, Oesterreich und den USA
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zotero2-2641719.TQ7D5JS7 | Sullivans Creek, cemented | 2020-07-03 | ||
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zotero2-2641719.M7WKKHTT | Drain | 2020-07-03 | ||
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zotero2-5884472.5W7MCBIP | Die «Écuries» von Versailles | 2009 | ||
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zotero2-5884472.8TC6ZGNN | H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) | 2016 | ||
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zotero2-5884472.UC8ANRNW | Die "Écuries" von Versailles | |||
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zotero2-2486551.I8UC9S6G | Das fremde Gesicht | 2015-04-11 | ||
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zotero2-2486551.CS8ZEZFU | Backstage | 2015-04-11 | ||
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zotero2-1510019.FBX6NVHV | Food is an important part of a balanced diet | 2020 | ||
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zotero2-2641719.QG2R9MNK | Dessobons and archaeodesign | 2021 | ||
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zotero2-5884472.895WSU6A | The Musical Aesthetic of the Singbewegung | 2016 | ||
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zotero2-5884472.KHUGFAU4 | Building a Ganassi Viol | 2014 | ||
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zotero2-2641719.R79GEGGQ | I Grow, Therefore I Am. A foreword as an exchange of ideas | 2025 | ||
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zotero2-2486551.AHC3UJET | OUN | 2012-04-05 | ||
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zotero2-2486551.Z6SSK8X5 | Mutanta | |||
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zotero2-1510019.3ADTZQVX | flowmotion | 2011 | ||
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zotero2-5884472.VAPMK4RA | Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV | 2009 | ||
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zotero2-2486551.ZIUPW8VW | Studies VII (with kind permission of Annie Sprinkle) | 2015-04-11 | ||
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zotero2-2486551.CME3W6ZX | Towards Love | 2015-04-11 |