| Signatur | Titel | Jahr | KünstlerIn | Event | |
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forms2-2021.10031490 | The question of responsibility. A designer's approach to sustainable guitar making | 2021 | ||
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forms2-2022.10100557 | Everybody Has A Plan, Until You Get Punched In The Face | 2022 | ||
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forms2-2018.905429 | Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation | 2018 | ||
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forms2-2019.10037802 | VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders | 2019 | ||
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zotero2-2641719.ISAVF86G | Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab | 2021 |
Brander, Gertrud; Mertenat, Joé; Steiner, Nadja
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forms2-2021.10114712 | Visual Well-being. A visual approach to design for the subjective well-being | 2021 | ||
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forms2-2019.10041213 | Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design | 2019 | ||
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bangbang-2062 | Digital Fingerpaint | 2013/2017 |
De Pinto, Pier Giorgio
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XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
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forms2-2022.10156898 | Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. | 2022 | ||
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forms2-2022.10161452 | Food for Thought. A Visual Exploration of Food Culture in India and Europe | 2022 | ||
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zotero2-2641719.GXCW9HPX | Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 | 2021 | ||
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bangbang-1577 | Take your body for a walk (Score) | 2021 |
[The Field]; Gillette, Monica; [Tanzhaus Zürich]
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Zürich Tanzt
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zotero2-2641719.Z5QIJKEU | To m-other a plant: Špela Petričs Ästhetik nicht-menschlicher Für/Sorge | 2024 | ||
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zotero2-2641719.KWJBCQRD | 04 | Gilbert Riedelbauch | Cultural Spaces - A Point of View from Canberra, Australia | 2017-06-21 | ||
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zotero2-2317722.W7PJPUCF | Researching the Restiveness: This is NOT a Performance. This is NOT an Ethnography | 02.11.2018 |
Yau, Wen
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bangbang-2097 | My home has a golden Guest | 2011 |
De Pinto, Pier Giorgio
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forms2-2017.809887 | Perception of Beauty. How does advertisement design enforce a norm through aesthetic of reception? | 2017 | ||
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forms2-2021.10122527 | Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. | 2021 | ||
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forms2-2019.10038772 | Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space | 2019 | ||
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zotero2-2641719.U3RRCVPU | Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich | 2021 |
Eggmann, Niklas; Lenzlinger, Oliver
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zotero2-2641719.ARMMBWSD | Postcard 1: I wish you were here. A virtual tour on the FHNW Campus | 2021 |
Steffen, Noemi; von der Crone, Monika
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bangbang-1034 | Im Gjätt | 2019 |
Caraco, Françoise; Germann, Monica; Hagmann, Sabine; Hofer, Susanne; Kalt, Tanja; Maag, Georgette; Michell, Regula; Müller, Irene; Rutishauser, Eliane; Spörri, Regula
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Plateaux Festival - Werte schaffen
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forms2-2020.10037791 | Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation | 2020 | ||
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bangbang-0658 | Ab Boden | 2015 |
Lerjen, Marie-Anne
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Living Room
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forms2-2021.10108747 | In absentia corpus. A silent and intimate depiction of hidden levels of the human body | 2021 |