|   | Signatur | Titel | Jahr | KünstlerIn | Event |
|---|---|---|---|---|---|
|
|
forms2-2022.10072524 | Invisible Borders. An outsider's perspective through a participatory approach | 2022 | ||
|
|
forms2-2020.126168 | Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing | 2020 | ||
|
|
forms2-2018.996949 | Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis | 2018 | ||
|
|
forms2-2020.912411 | Visualizing Utopia: Switzerland after the Labour Society | 2020 | ||
|
|
forms2-2018.949107 | One Two Tie My Shoe. Motion and Gesture in a Digital Environment | 2018 | ||
|
|
forms2-2018.10008946 | Photo Reportages in Travel Magazines. Analysis of Photo Motifs | 2018 | ||
|
|
forms2-2020.10074584 | Information Visualization to Help the Elderly Understand Smartphones | 2020 | ||
|
|
forms2-2021.10107547 | A Designer’s Journey. The poster: A valid medium for transformative design? | 2021 | ||
|
|
forms2-2021.10108751 | Translational imagery. Revealing the invisible aspects from things through the abstract translational technique | 2021 | ||
|
|
forms2-2019.10036938 | Looking into Fog. An investigation of fog as a design element | 2019 | ||
|
|
forms2-2022.10156898 | Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. | 2022 | ||
|
|
forms2-2022.10158128 | A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature | 2022 | ||
|
|
forms2-2022.10150009 | Workshop Matters. Visual inquiry into co-workshops | 2022 | ||
|
|
forms2-2018.810041 | Figurative Daily Objects. The Potential of Pictorial Metaphors | 2018 | ||
|
|
forms2-2018.10009457 | Revealing the Medium. On Exposing Systems Through Failures | 2018 | ||
|
|
forms2-2019.10042890 | An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today | 2019 | ||
|
|
forms2-2022.10149028 | NEUTRAL*. An exploration of the influence of grammatical gender on visual representation | 2022 | ||
|
|
forms2-2018.838352 | The Reciprocal Relationship of Image and Sound in Animated Film Narratives | 2018 | ||
| forms2-2018.10008614 | How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) | 2018 | |||
|
|
forms2-2021.10108756 | The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. | 2021 | ||
|
|
forms2-2021.10108813 | No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies | 2021 | ||
|
|
forms2-2019.10034454 | Seeing Klybeck. Visualizing an urban community | 2019 | ||
|
|
forms2-2019.10032453 | Outside the Frame. Framing strategies in the climate change movement | 2019 | ||
|
|
forms2-2019.10026653 | The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness | 2019 | ||
|
|
forms2-2022.10073196 | Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form | 2022 |