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zotero2-2641719.SB6T2TX7 | CC_Cycles of Circulation READINGS & REFERENCES | 2025 | ||
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zotero2-2641719.FJ7R22VX | CC_Cycles of Circulation AWARENESS | 2025 | ||
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zotero2-2641719.R37CBF77 | CC_Cycles of Circulation PUBLICATIONS | 2025 | ||
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zotero2-2641719.EFK3URBX | CC_Cycles of Circulation PRESENTATIONS | 2025 | ||
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zotero2-2641719.Z45VQJQI | Points of Inversion: Upending Structural Narratives in Design History | 2021 | ||
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zotero2-1510019.ZKTDMKZP | ADVA (accessible digital visual agency) EN | 2025 | ||
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zotero2-5884472.F277BBJD | The Iconography of the Viola da gamba in Ganassi's Context | 2013 | ||
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zotero2-5884472.HBU6AFZD | Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente | 2013 | ||
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zotero2-2486551.PJH866R3 | Say the names | 2015-04-11 | ||
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zotero2-2486551.UVRQ4JGB | Say the names | 2015-04-11 |
Minder, Maya
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zotero2-5884472.NVJN3ESW | Zur Ikonographie der Viola da gamba im Umfeld Ganassis | 2013 | ||
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zotero2-2486551.GNWU2S2Z | Ausschreibung Zürich | 2013-07-07 | ||
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zotero2-2641719.WEB9CS7B | A missing narrative of Ghana’s graphic design history | 2021 | ||
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zotero2-5884472.3S52ZJNV | Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) | 2022 | ||
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zotero2-5884472.AJ6KCKPJ | Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi | 2013 | ||
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zotero2-2641719.V37UXFJD | Notes from Amaranth Land | 2023 |
Mensch, Julia
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bangbang-1461 | Barcode Scenario | From 2016 onwards |
Fieni, Matteo
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zotero2-5884472.HPTNKKQH | Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings | 2021 | ||
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bangbang-1829 | Der Pilz im Patent - Verstimmung, Klinik, LSD | 2022 |
Köppl, Jörg [ensemble metanoia]; Zulauf, Tim [ensemble metanoia]; Collin, Léon [ensemble metanoia]
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zotero2-5705476.53GD5GF2 | e-flux Index #3 |
e-flux
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zotero2-2641719.II8BUU4V | Detrás de la Noche [Behind the Night] | 2025 |
Castelblanco, Felipe
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zotero2-5884472.D69QP5KQ | Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion | 2013 | ||
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zotero2-2641719.8ID7M428 | Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective | 2021 | ||
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zotero2-2641719.FBSIC4GB | Application | 2023-03-14 | ||
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zotero2-2641719.GI5K4DRD | Spontaneous reactions cannot anticipate developments over time | 2024-10-21 | ||
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zotero2-2641719.S22NADJA | Re-engaging with Design History through the Practical Turn | 2021 | ||
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zotero2-5884472.BW7PZNHF | Rybeben am Hof Maximilians I. | 2015 | ||
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zotero2-5884472.78JG572Z | Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary | 2017 | ||
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zotero2-5884472.7Q45ZK7E | La guitare en France vers 1800 Textes du projet de recherche | 2014 | ||
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zotero2-5884472.92CWSN87 | The Curious Story of Low Pitch at the Schola Cantorum Basiliensis | 2020 | ||
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zotero2-2486551.VKDXSE7P | Sichtbar, Unsichtbar | 2015-04-11 | ||
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zotero2-2486551.JD77SZ3A | «... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun | 2015-04-10 | ||
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zotero2-2486551.6CDRNQ38 | Controlling Crowds | 2015-04-11 | ||
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zotero2-2486551.UR8C94WM | Beyond Trinity | 2015-04-11 | ||
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zotero2-2486551.DUGK2SPD | Lecture I | 2015-04-10 | ||
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zotero2-2486551.I6FXB87B | 70 Trillion | 2015-04-11 |